Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
सुवपुर्लोचनः कृष्णवक्रकेशो भृगुः सुखी । दीर्घः कपिलदृड्भंदो निलीखरकचोलसः ॥ १०० ॥
suvapurlocanaḥ kṛṣṇavakrakeśo bhṛguḥ sukhī | dīrghaḥ kapiladṛḍbhaṃdo nilīkharakacolasaḥ || 100 ||
その者は容姿端麗で眼は明るく、髪は黒くして巻く。系譜においてはブリグ(Bhṛgu)の裔で、心は満ち足りて安楽である。背は高く、色はカピラ(黄褐・金褐)にして肢体は堅固、さらに淡い青の線と髪の房(トゥフト)という特別の徴を帯びる。
Narada (within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It preserves the traditional lakṣaṇa-style description used to recognize a person’s nature and lineage—outer traits are presented as indicators of inner steadiness, contentment, and disciplined life aligned with mokṣa-dharma.
Indirectly: by portraying contentment, firmness, and auspicious traits, it supports the bhakti ideal that a devotee’s life becomes steady and harmonious—qualities that sustain japa, worship, and remembrance.
It aligns with traditional lakṣaṇa/saṃjñā-style observation used alongside śāstric disciplines—careful description and classification (a Vyākaraṇa-like precision of terms) for identifying persons and traits in dharma narratives.