Jyotiṣa-śāstra Saṅgraha: Threefold Division, Gaṇita Methods, Muhūrta, and Planetary Reckoning
भुजकोटिकृतियोगमूलं कर्णश्च दोर्भवेत् । श्रुतिकृत्यंतरपद कोटिर्दोः कर्णवर्गयोः ॥ ४४ ॥
bhujakoṭikṛtiyogamūlaṃ karṇaśca dorbhavet | śrutikṛtyaṃtarapada koṭirdoḥ karṇavargayoḥ || 44 ||
腕の先端の結合によって成る「ヨーガ」の根は「耳」であると説かれ、腕そのものもそれに対応する。耳と腕のあいだには中間の位として「コーティ(koṭi:関節/角)」があり、腕と耳に属する区分に含まれる。
Sanatkumara (teaching Narada in a technical/disciplinary register)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames the body as a disciplined field of practice, where precise ‘junctions’ and ‘positions’ (yoga, pada, koṭi) are mapped and contemplated to support ordered sadhana within moksha-dharma.
Indirectly: by emphasizing precision and inner order, it supports the devotee’s steadiness (niyama) so that devotional practices—japa, remembrance, and worship—are performed with focused attention rather than distraction.
A Shiksha/Vedanga-like technical method: identifying bodily ‘points’ and intermediate ‘steps’ (pada) used for structured recitation, ritual placement, or contemplative alignment in practice.