Sṛṣṭi-pralaya-kathana: Mahābhūta-guṇāḥ, Vṛkṣa-indriya-vādaḥ, Prāṇa-vāyu-vyavasthā
आकाशजं शब्दमाहुरेभिर्वायुगुणैः सह । अव्याहतैश्चेतयते नवेति विषमा गतिः ॥ ९६ ॥
ākāśajaṃ śabdamāhurebhirvāyuguṇaiḥ saha | avyāhataiścetayate naveti viṣamā gatiḥ || 96 ||
彼らは、音は虚空(ākāśa)より生じ、これら風の性質とともにあると宣べる。妨げなければそれは知覚されるが、常に一様ではない—その運行は不規則である。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It points the seeker toward discrimination (viveka): sensory objects like sound arise from subtle elements and are perceived only under conditions, so they are not absolute—supporting detachment and moksha-oriented insight.
By showing that ordinary sound is conditional and unstable, it implicitly elevates steadier spiritual practice—such as hearing and chanting the Lord’s names (śravaṇa–kīrtana)—as a more reliable focus for the mind.
Śikṣā (phonetics) is indirectly relevant: sound (śabda) depends on medium and obstruction, which aligns with Vedic attention to correct articulation, resonance, and transmission conditions in recitation.