Adhyaya 12 — The Son Describes the Narakas: Mahāraurava, Tamas, Nikṛntana, Apratiṣṭha, Asipatravana, and Taptakumbha
लेलिह्यमाना भ्राम्यन्ते परस्परसमागमे ।
एवं तत्रापि सुमहान् क्लेशस्तमसि मानवैः ॥
lelihyamānā bhrāmyante paraspara-samāgame /
evaṃ tatrāpi sumahān kleśas tamasi mānavaiḥ
激しい苦痛に身をよじりつつ彼らはよろめき、互いに衝突すると転倒して乱れる。かくしてその闇の中で、人々はきわめて大いなる責め苦を受ける。
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Actions generate consequences: the text emphasizes that suffering in naraka is not random but the fruition of adharma. The imagery of collision in darkness underscores confusion and mutual harm born of ignorance (tamas) and wrongdoing.
Primarily within Dharma/Adharma-phala (karmic results) discussions that Purāṇas include alongside broader cosmology; it aligns most closely with ancillary didactic material rather than the core five (sarga, pratisarga, vaṃśa, manvantara, vaṃśānucarita), though it is often embedded within cosmological mapping of worlds (loka/naraka).
Darkness (tamas) symbolizes avidyā: when consciousness is obscured, beings ‘collide’—their impulses clash, producing compounded suffering. Naraka becomes a mirror of inner states hardened into experiential realms.