Shloka 92

Adhyaya 10 — Jaimini’s Questions on Birth, Death, Karma, and the Embodied Journey

Sanskrit

प्रगीतगन्धर्वगणाः प्रवृत्ताप्सरसाङ्गणाः ।

हारनूपुरमाधुर्य-शोभितान्युत्तमानि च ॥

Transliteration

pragītagandharvagaṇāḥ pravṛttāpsarasāṅgaṇāḥ | hāranūpuramādhurya-śobhitāny uttamāni ca ||

Translation

そこにはガンダルヴァの群れが歌を奏し、アプサラスの一団が歓楽に興じている――花鬘と足輪の甘美な美に飾られた、すぐれた歓喜である。

Word by Word

• प्रगीतगन्धर्वगणाः: groups of Gandharvas singing
• प्रगीतगन्धर्वगणाः: Karta (कर्ता)
• Type: Noun
• Root: pra-gīta + gandharva-gaṇa (प्रातिपदिक); गी (गै) धातु-क्त
• Form: पुंलिङ्ग, प्रथमा, बहुवचन; समासः—तत्पुरुष: (प्रगीताः) गन्धर्वगणाः = 'well-sung/chanting groups of Gandharvas'

• प्रवृत्ताप्सरसाङ्गणाः: companies of Apsarases in motion
• प्रवृत्ताप्सरसाङ्गणाः: Karta (कर्ता)
• Type: Noun
• Root: pra-vṛtta + apsaras-aṅgaṇa (प्रातिपदिक); vṛt (वृत्) धातु-क्त
• Form: पुंलिङ्ग, प्रथमा, बहुवचन; समासः—तत्पुरुष: प्रवृत्ताः अप्सरसाम् अङ्गणाः/अङ्गनाः (contextual: apsaras-assemblies/companies set in motion)

• हारनूपुरमाधुर्यशोभितानि: adorned by the charm of necklaces and anklets
• हारनूपुरमाधुर्यशोभितानि: Visheshana (विशेषण)
• Type: Adjective
• Root: hāra + nūpura + mādhurya + śobhita (प्रातिपदिक); śubh/śobh (शुभ्/शोभ्) धातु-क्त
• Form: नपुंसकलिङ्ग, प्रथमा/द्वितीया, बहुवचन; समासः—तत्पुरुष (बहुपद): हार-नूपुर-माधुर्येण शोभितानि = 'adorned by the sweetness/charm of necklaces and anklets'

• उत्तमानि: excellent, best
• उत्तमानि: Visheshana (विशेषण)
• Type: Adjective
• Root: uttama (प्रातिपदिक)
• Form: नपुंसकलिङ्ग, प्रथमा/द्वितीया, बहुवचन

• च: and
• च: Sambandha (सम्बन्ध)
• Type: Indeclinable
• Root: ca (अव्यय)
• Form: समुच्चयार्थक-अव्यय (conjunction)

Speakers

• Pitā describing the reward-state to Putra

Verse Rasa

{ "primaryRasa": "adbhuta", "secondaryRasa": "shringara", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

Key Themes

• Karma (fruits of merit)
• Svarga
• Purāṇic cosmology (heavenly realms)
• Aesthetic descriptions

FAQs

What is the philosophical or ethical takeaway?

Puṇya is portrayed as yielding refined enjoyment (bhoga) in higher realms—an incentive model that links ethical action to elevated experiential states.

How does this fit the Pancalakṣaṇa (5 characteristics)?

Connected to cosmological description (loka-varṇana) and karmaphala instruction; it is supportive material rather than core sarga/pratisarga narrative.

What is the esoteric significance?

Gandharvas and Apsarases can be read as personifications of subtle sense-delights (sound, beauty) that accompany meritorious karma—pleasure as a ‘resultant vibration’ of prior conduct.