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Shloka 93

Adhyāya 284: Tapas as a Corrective to Household Attachment

Parāśara’s Instruction

आपका मुख विकृत है। जिह्नला खड्गके समान है। आपका मुख दाढ़ोंसे सुशोभित होता है। आप कच्चे-पक्के फलोंके गुद्देके लिये लुभायमान रहते हैं। तुम्बी और वीणा आपको विशेष प्रिय हैं। आपको प्रणाम है ।।

āpaka mukha vikṛta hai. jihnalā khaḍga-ke samāna hai. āpaka mukha dāṛhoṃ-se suśobhita hotā hai. āpa kaccā-pakkā phaloṃ-ke gudde ke liye lubhāyamāna rahate haiṃ. tumbī aur vīṇā āpako viśeṣa priya haiṃ. āpako praṇāma hai. namo vṛṣāya vṛṣyāya govṛṣāya vṛṣāya ca | kaṭaṅkaṭāya daṇḍāya namaḥ pacapacāya ca ||

ビーシュマは言った。「汝の顔貌は歪み、舌は剣のごとく、口は牙によって飾られている。未熟の果も熟した果も、その果肉を汝は渇望する。トゥンビーとヴィーナーは、とりわけ汝の愛するところである。我は汝に礼拝する—ヴリシャに、ヴリシュヤに、ゴーヴリシャに、そして再びヴリシャに帰命し、カタンカタに、ダンダに、またパチャパチャにも帰命する。」

namosalutation; homage
namo:
TypeIndeclinable
Rootnamas
Formindeclinable (nipata); used with dative
vṛṣāyato the Bull (epithet)
vṛṣāya:
Sampradana
TypeNoun
Rootvṛṣa
Formmasculine, dative, singular
vṛṣyāyato the virile/strength-giving one
vṛṣyāya:
Sampradana
TypeNoun
Rootvṛṣya
Formmasculine, dative, singular
go-vṛṣāyato the bull of cows (chief bull)
go-vṛṣāya:
Sampradana
TypeNoun
Rootgo-vṛṣa
Formmasculine, dative, singular
vṛṣāyato the Bull
vṛṣāya:
Sampradana
TypeNoun
Rootvṛṣa
Formmasculine, dative, singular
caand
ca:
TypeIndeclinable
Rootca
Formindeclinable conjunction
kaṭaṅkaṭāyato Kaṭaṅkaṭa (onomatopoetic epithet/name)
kaṭaṅkaṭāya:
Sampradana
TypeNoun
Rootkaṭaṅkaṭa
Formmasculine, dative, singular
daṇḍāyato the Staff/rod (punisher)
daṇḍāya:
Sampradana
TypeNoun
Rootdaṇḍa
Formmasculine, dative, singular
namaḥsalutation; homage
namaḥ:
TypeIndeclinable
Rootnamas
Formindeclinable (nipata); used with dative
pacapacāyato Pacapaca (onomatopoetic epithet/name)
pacapacāya:
Sampradana
TypeNoun
Rootpacapaca
Formmasculine, dative, singular
caand
ca:
TypeIndeclinable
Rootca
Formindeclinable conjunction

भीष्म उवाच

B
Bhishma
T
tumbī
V
vīṇā
V
Vṛṣa
V
Vṛṣya
G
Govṛṣa
K
Kaṭaṅkaṭa
D
Daṇḍa
P
Pacapaca

Educational Q&A

The verse functions as a protective or devotional litany: by naming and saluting a fearsome power through multiple epithets, the reciter acknowledges its might and seeks auspiciousness or restraint of harm. Ethically, it reflects the Mahābhārata’s theme that speech (stuti, naming, mantra-like praise) can be a disciplined act aligned with dharma when used to avert danger and uphold order.

Bhishma is reciting a description and a sequence of salutations to a formidable being, marked by terrifying features (distorted face, sword-like tongue, fangs) and distinctive likes (fruit pulp, tumbī and vīṇā). The clustered names—Vṛṣa, Vṛṣya, Govṛṣa, Kaṭaṅkaṭa, Daṇḍa, Pacapaca—indicate a formal invocation, as if addressing different aspects or appellations of the same power.