Shloka 12
कामद्रुम-रूपकः तथा शरीर-पुर-रूपकः
The Desire-Tree and the Body-as-City Metaphors
एवं पूर्वापरे काले युञ्जन्नात्मानमात्मनि । लघ्वाहारो विशुद्धात्मा पश्यत्यात्मानमात्मनि
vyāsa uvāca |
evaṁ pūrvāpare kāle yuñjann ātmānam ātmani |
laghvāhāro viśuddhātmā paśyaty ātmānam ātmani ||
vāyoḥ sparśo raso 'dbhyas tejasaḥ rūpam ucyate |
ākāśa-prabhavaḥ śabdo gandho bhūmi-guṇaḥ smṛtaḥ ||
ヴィヤーサは言った。「夜の前半と後半において、軽い食を守り、内なる心を清めつつ、自己を大我（アートマン）に堅く結びつける者は、己の内にアートマンを観ずるに至る。さらに諸元素の性質は次のように説かれる。触は風の性、味は水の性、色相（見える形）は火の性である。音は虚空より生じ、香は地の性として記憶される。」
व्यास उवाच
Educational Q&A
Disciplined meditation supported by moderation in food and inner purity leads to direct realization of the Self; alongside this, the verse recalls the classical mapping of sensory qualities to the five great elements (sound-space, touch-air, form-fire, taste-water, smell-earth).
In Vyāsa’s instruction within Śānti Parva, the discourse shifts from practical yogic regimen (night-time practice, light diet, purified mind) to a doctrinal explanation of how perception relates to the elemental constitution of the world, reinforcing a contemplative, knowledge-oriented path.