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Shloka 58

शल्यपर्व — चतुर्विंशोऽध्यायः | Śalya Parva, Chapter 24: Disruption of Kaurava Formations and the Elephant Encirclement

नरान्‌ नागान्‌ समाहत्य हयांश्वापि विशाम्पते । अपतन्त रणे बाणा: पतड़ा इव घोषिण:

narān nāgān samāhatya hayāṁś cāpi viśāṁpate | apatanta raṇe bāṇāḥ pataṅgā iva ghoṣiṇaḥ ||

サञ्जयは言った。「おお民の主よ。人々と大象、さらに馬までも打ち倒したのち、矢は戦場へと降り注ぎ、蝗の群れのように轟きつつ唸りを上げた。ガーンディーヴァより放たれたそれらは、インドラの金剛杵のごとき硬く雷霆の力を帯びて落下し、技と武器が瞬時の滅びをもたらす、戦の容赦なき奔流を映し出していた。」

नरान्men
नरान्:
Karma
TypeNoun
Rootनर
FormMasculine, Accusative, Plural
नागान्elephants
नागान्:
Karma
TypeNoun
Rootनाग
FormMasculine, Accusative, Plural
समाहत्यhaving struck down / having slain
समाहत्य:
TypeVerb
Rootसम्-आ-हन्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage), Non-finite
हयान्horses
हयान्:
Karma
TypeNoun
Rootहय
FormMasculine, Accusative, Plural
and
:
TypeIndeclinable
Root
अपिalso
अपि:
TypeIndeclinable
Rootअपि
विशाम्of the people/subjects
विशाम्:
TypeNoun
Rootविश्
FormFeminine, Genitive, Plural
पतेO lord
पते:
TypeNoun
Rootपति
FormMasculine, Vocative, Singular
अपतन्तfell down / swooped down
अपतन्त:
TypeVerb
Rootअव-√पत्
FormImperfect (Laṅ), Third, Plural, Parasmaipada
रणेin battle
रणे:
Adhikarana
TypeNoun
Rootरण
FormMasculine, Locative, Singular
बाणाःarrows
बाणाः:
Karta
TypeNoun
Rootबाण
FormMasculine, Nominative, Plural
पतङ्गाःlocusts
पतङ्गाः:
TypeNoun
Rootपतङ्ग
FormMasculine, Nominative, Plural
इवlike/as
इव:
TypeIndeclinable
Rootइव
घोषिणःresounding/noisy
घोषिणः:
TypeAdjective
Rootघोषिन्
FormMasculine, Nominative, Plural

संजय उवाच

S
Sañjaya
G
Gāṇḍīva (bow)
A
arrows (bāṇa)
M
men (narāḥ)
H
horses (hayāḥ)
E
elephants (nāgāḥ)
B
battlefield (raṇa)

Educational Q&A

The verse underscores the terrifying impersonality of war: when martial skill and powerful weapons are unleashed, destruction spreads rapidly and widely, overwhelming individuals like a swarm. Ethically, it highlights the Mahābhārata’s recurring tension between kṣatriya duty in battle and the human cost that such duty entails.

Sañjaya describes a fierce phase of combat in which volleys of arrows, shot from the famed bow Gāṇḍīva, strike down warriors, horses, and elephants. The arrows are depicted as falling in great numbers and making a loud, swarming sound, intensifying the scene’s violence and scale.