Shloka 276
शल्यपरिघातः (Śalya Under Encirclement) — Mahābhārata, Śalya-parva, Adhyāya 12
नानावादित्रशब्देन पाण्डुसेनामयोधयन् । तब आपके सैनिक नाना प्रकारके अस्त्र-शस्त्र लेकर भाँति-भाँतिके रणवाद्योंकी गम्भीर ध्वनिके साथ पाण्डव-सेनासे युद्ध करने लगे
nānāvāditraśabdena pāṇḍusenām ayodhayat |
サンジャヤは言った――さまざまな軍楽器の轟きが鳴り渡る中、兵らはパーンダヴァ軍に襲いかかり、武器を掲げ手に携えて戦い始めた。戦場の深く多様な響きは、戦の全面的な到来と、かかる争いが人の心に強いる硬化とを告げていた。
संजय उवाच
Educational Q&A
The verse highlights how war is not only fought with weapons but also driven by collective momentum—signals, sounds, and spectacle that intensify aggression. Ethically, it underscores the Mahābhārata’s recurring tension: kṣatriya duty to fight versus the tragic, dehumanizing force of battle once it is unleashed.
Sañjaya reports that the forces, accompanied by the loud, varied sounds of battlefield instruments, advance against and engage the Pāṇḍava army. It is a scene-setting line that conveys the beginning or intensification of combat through the auditory imagery of war.