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Shloka 17

Chapter 7: Dvīpa–Varṣa–Meru-varṇana

Description of the Dvīpa, Varṣas, and Mount Meru

चन्द्रप्रभा श्वन्द्रवर्णा: पूर्णचन्द्रनिभानना: । चन्द्रशीतलगात्र्यश्न नृत्यगीतविशारदा:

candraprabhāḥ śveta-varṇāḥ pūrṇa-candra-nibhānanāḥ | candra-śītala-gātryaś ca nṛtya-gīta-viśāradāḥ ||

サンジャヤは言った。「彼女らは月のごとき光を放ち、白く澄んだ肌をもち、顔は満月のように麗しい。四肢は月光のように涼やかに感じられ、舞と歌の芸に通じている。」

चन्द्रप्रभाःhaving moon-like radiance
चन्द्रप्रभाः:
Karta
TypeAdjective
Rootचन्द्रप्रभा
FormFeminine, Nominative, Plural
श्वेतवर्णाःwhite-complexioned
श्वेतवर्णाः:
Karta
TypeAdjective
Rootश्वेतवर्ण
FormFeminine, Nominative, Plural
पूर्णचन्द्रनिभाननाःwhose faces are like the full moon
पूर्णचन्द्रनिभाननाः:
Karta
TypeAdjective
Rootपूर्णचन्द्रनिभानन
FormFeminine, Nominative, Plural
चन्द्रशीतलगात्र्यःwhose limbs are cool like the moon
चन्द्रशीतलगात्र्यः:
Karta
TypeAdjective
Rootचन्द्रशीतलगात्री
FormFeminine, Nominative, Plural
नृत्यगीतविशारदाःskilled in dance and song
नृत्यगीतविशारदाः:
Karta
TypeAdjective
Rootनृत्यगीतविशारद
FormFeminine, Nominative, Plural

संजय उवाच

S
Sañjaya
M
moon (candra)

Educational Q&A

The verse is primarily descriptive rather than prescriptive: it uses moon-imagery to portray refined beauty and artistic accomplishment. In the epic’s ethical atmosphere, it implicitly reminds the listener how sensory allure and cultivated pleasures can coexist with, and sometimes distract from, the grave duties and moral tensions of war.

Sañjaya is narrating and describing a group of women (implicitly celestial or exceptionally beautiful performers/attendants), emphasizing their moonlike radiance, coolness, and skill in dance and song, as part of the broader battlefield narration in Bhīṣma Parva.