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Shloka 21

भीष्मरथाभिमुख्यं — Arjuna’s advance with Śikhaṇḍin; Duḥśāsana’s interception

रथिनश्न रथैहीना वर्मिणस्तेजसा युता: । कुण्डलोष्णीषिण: सर्वे निष्काड्दविभूषणा:

sañjaya uvāca |

rathinaś ca rathair hīnā varmiṇas tejasā yutāḥ |

kuṇḍaloṣṇīṣiṇaḥ sarve niṣkāṇḍavibhūṣaṇāḥ ||

サञ्जयは語った。「多くの偉大な戦車武者が戦車を失った。だが彼らは鎧をまとい、武の光に輝き、耳飾りと頭巾を着け、黄金の首飾りと腕輪で身を飾っていた。天界の王子のように美しく、戦場ではインドラのごとき勇猛さを備えながらも、彼らは徒歩で右往左往し、凡人のように走り回る姿を見せた――戦とは、運命と状況がいかにして強者からさえ地位と平静を奪うかを示すのである。」

रथिनःchariot-warriors
रथिनः:
Karta
TypeNoun
Rootरथिन्
FormMasculine, Nominative, Plural
and
:
TypeIndeclinable
Root
रथैःwith chariots
रथैः:
Karana
TypeNoun
Rootरथ
FormMasculine, Instrumental, Plural
हीनाःdeprived (of), bereft
हीनाः:
TypeAdjective
Rootहीन
FormMasculine, Nominative, Plural
वर्मिणःarmored, wearing armor
वर्मिणः:
TypeAdjective
Rootवर्मिन्
FormMasculine, Nominative, Plural
तेजसाwith splendor/energy
तेजसा:
Karana
TypeNoun
Rootतेजस्
FormNeuter, Instrumental, Singular
युताःendowed, furnished
युताः:
TypeAdjective
Rootयुत
FormMasculine, Nominative, Plural
कुण्डलearring(s)
कुण्डल:
TypeNoun
Rootकुण्डल
FormNeuter, Nominative, Singular
उष्णीषिणःwearing a turban/helmet
उष्णीषिणः:
TypeAdjective
Rootउष्णीषिन्
FormMasculine, Nominative, Plural
सर्वेall
सर्वे:
TypeAdjective
Rootसर्व
FormMasculine, Nominative, Plural
निष्काड्यhaving (gold) neck-ornaments/medallions (nishka) put on
निष्काड्य:
TypeAdjective
Rootनिष्काड्य
FormMasculine, Nominative, Plural
विभूषणाःadorned, ornamented (ones)
विभूषणाः:
TypeNoun
Rootविभूषण
FormMasculine, Nominative, Plural

संजय उवाच

S
Sañjaya
R
rathinaḥ (chariot-warriors)
R
ratha (chariot)
V
varman (armor)
K
kuṇḍala (earrings)
U
uṣṇīṣa (turban)
N
niṣka (gold neck-ornament)
A
aṅgada (armlet)

Educational Q&A

The verse underscores the instability of worldly power in war: even the most splendid and heroic warriors can be reduced to vulnerability when their supports (like chariots and formations) are lost. It highlights impermanence and the humbling force of circumstance, a reminder to ground valor in steadiness rather than external status.

Sañjaya describes the battlefield scene where many renowned chariot-fighters have lost their chariots. Despite still wearing armor and rich ornaments, they are forced to move on foot and scatter, revealing a moment of disarray and reversal amid the Kurukṣetra fighting.