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Mahabharata 1.151.39Adi Parva, Adhyaya 151, Shloka 39

बक-राक्षसस्य आह्वानम् तथा वृक्षयुद्धम्

Summons of Baka and the Tree-Weapon Engagement

प्रयच्छति वधे तुभ्यं तेन जीवसि दुर्मते । नन्वद्य त्वां सहामात्यं सकर्णानुजसौबलम्‌

prayacchati vadhe tubhyaṃ tena jīvasi durmate | nanv adya tvāṃ sahāmātyaṃ sakarṇānujasaubalam ||

ヴァイシャンパーヤナは語った。「彼が汝の殺害の許しを与えぬゆえ、汝は生き長らえているのだ、邪心の者よ。まこと今日、私は汝を——汝の重臣どもと共に、カルナと共に、汝の弟と共に、そしてシャクニと共に——死の国へ送り得る。」

प्रयच्छतिgives, grants
प्रयच्छति:
TypeVerb
Rootप्र-यम् (यच्छति)
FormLat (present), 3, singular, Parasmaipada
वधेin (your) killing / in the matter of slaying
वधे:
Adhikarana
TypeNoun
Rootवध
Formmasculine, locative, singular
तुभ्यम्to you
तुभ्यम्:
Sampradana
TypePronoun
Rootयुष्मद्
Formdative, singular
तेनtherefore / by that (reason)
तेन:
Karana
TypePronoun
Rootतद्
Formneuter, instrumental, singular
जीवसिyou live
जीवसि:
TypeVerb
Rootजीव्
FormLat (present), 2, singular, Parasmaipada
दुर्मतेO evil-minded one
दुर्मते:
TypeNoun
Rootदुर्मति
Formfeminine, vocative, singular
ननुindeed, surely
ननु:
TypeIndeclinable
Rootननु
अद्यtoday, now
अद्य:
Adhikarana
TypeIndeclinable
Rootअद्य
त्वाम्you
त्वाम्:
Karma
TypePronoun
Rootयुष्मद्
Formaccusative, singular
सहtogether with
सह:
TypeIndeclinable
Rootसह
अमात्यम्minister/counsellor
अमात्यम्:
Karma
TypeNoun
Rootअमात्य
Formmasculine, accusative, singular
सकर्णानुजसौबलम्together with Karna, (your) younger brother, and Saubala (Shakuni)
सकर्णानुजसौबलम्:
Karma
TypeAdjective
Rootस + कर्ण + अनुज + सौबल
Formmasculine, accusative, singular

वैशम्पायन उवाच

V
Vaiśampāyana
D
Duryodhana
B
Bhīma
Y
Yudhiṣṭhira
K
Karṇa
Ś
Śakuni
A
Amātya (ministers/counsellors)
A
Anuja (younger brother of Duryodhana)

Educational Q&A

Power and capability do not justify immediate retaliation; dharmic authority and self-restraint can override personal rage, especially when the ruler (Yudhiṣṭhira) refuses to sanction violence.

Bhīma, burning with anger at Duryodhana, declares that he could kill him along with his allies, but Duryodhana survives because Yudhiṣṭhira does not permit his slaying; the scene highlights Bhīma’s frustration under dharmic restraint.

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