देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
दंभो ऽदम्भो महादंभः सर्वभूतमहेश्वरः श्मशाननिलयस्तिष्यः सेतुरप्रतिमाकृतिः
daṃbho 'dambho mahādaṃbhaḥ sarvabhūtamaheśvaraḥ śmaśānanilayastiṣyaḥ seturapratimākṛtiḥ
彼はダンバ(Dambha)であり、またアダンバ(Adambha)でもある。彼は大ダンバ。彼は一切衆生の大自在天(マヘーシュヴァラ)。彼は火葬場に住し、ティシュヤ(Tiṣya)であり、またセートゥ(Setu)—比類なき姿の橋である。
Suta Goswami (narrating the Shiva Sahasranama to the sages of Naimisharanya)
It presents Shiva as Sarvabhūta-Maheśvara (Pati of all pashus) and as Setu—the saving bridge across bondage—supporting the Linga as the liberating axis where the soul turns from pasha to Pati.
Shiva-tattva is shown as beyond dualities: He is both “Dambha” and “Adambha,” indicating sovereign power that can veil and reveal, while remaining utterly free from hypocrisy—supreme lordship without limitation.
The cremation-ground epithet points to vairagya and fearlessness central to Pashupata discipline—contemplating impermanence to cut pasha—while worshiping Shiva as Setu, the inner passage to moksha.