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Shloka 8

स्वेच्छाविग्रहसंभव-प्रतिष्ठाफलवर्णनम् (विविधशिवमूर्तिप्रतिष्ठा, लोक-फल, शिवसायुज्य)

मेरुमासाद्य देवानां भवनेषु प्रमोदते एकपादं चतुर्बाहुं त्रिनेत्रं शूलसंयुतम्

merumāsādya devānāṃ bhavaneṣu pramodate ekapādaṃ caturbāhuṃ trinetraṃ śūlasaṃyutam

メール山に至ると、彼は神々の神聖なる住処において歓喜する—一脚の主として、四臂・三眼、そしてトリシューラ(三叉戟)を携えて顕現する。この観想において、パティ(シヴァ)は自在にして主権者として畏怖すべき御姿を示し、パシュ(束縛された魂)は己の依存を想起して解脱へと向かう。

merumMount Meru
merum:
āsādyahaving reached/attained
āsādya:
devānāmof the gods
devānām:
bhavaneṣuin the dwellings/abodes
bhavaneṣu:
pramodaterejoices/delights
pramodate:
ekapādamone-footed (Ekapāda form of Śiva)
ekapādam:
caturbāhumfour-armed
caturbāhum:
trinetramthree-eyed
trinetram:
śūla-saṁyutamendowed with the trident (śūla).
śūla-saṁyutam:

Suta Goswami (narrating to the sages of Naimisharanya)

S
Shiva
D
Devas
M
Mount Meru

FAQs

The verse emphasizes darśana (direct contemplation) of Śiva’s iconic marks—trinetra and śūla—supporting linga-upāsanā by fixing the mind on Pati’s sovereignty, which loosens pasha (bondage) for the pashu (soul).

Śiva-tattva is shown as transcendent yet manifest: the One-footed (Ekapāda) form signals unmatched stability and supremacy, while the three eyes and trident indicate omniscient governance over creation, preservation, and dissolution.

A dhyāna-based practice is implied: meditate on Śiva as Ekapāda, trinetra, and śūla-dhara—an inner Pāśupata orientation where the pashu turns toward Pati through focused remembrance rather than mere external action.