Shloka 17

Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti

Devanagari script

समुद्रास्तस्य चत्वारो रथकम्बलिकाः स्मृताः गङ्गाद्याः सरितः श्रेष्ठाः सर्वाभरणभूषिताः

Transliteration

samudrāstasya catvāro rathakambalikāḥ smṛtāḥ gaṅgādyāḥ saritaḥ śreṣṭhāḥ sarvābharaṇabhūṣitāḥ

Translation

その四つの大海は車の覆いのようなもの—護り包むもの—として想起され、またガンガー（Gaṅgā）に始まる最勝の河川は、あらゆる荘厳を具えて至高である。かくして聖なる水そのものが、パティ（シヴァ）の神聖な秩序に仕える灌頂された力として現れる。

Word by Word

• समुद्राः (samudrāḥ): oceans

• तस्य (tasya): of it/of that realm

• चत्वारः (catvāraḥ): four

• रथकम्बलिकाः (rathakambalikāḥ): like chariot-blankets/coverings (protective coverings)

• स्मृताः (smṛtāḥ): are remembered/are said to be

• गङ्गाद्याः (gaṅgādyāḥ): beginning with the Gaṅgā

• सरितः (saritaḥ): rivers

• श्रेष्ठाः (śreṣṭhāḥ): the best/supreme

• सर्वाभरणभूषिताः (sarvābharaṇa-bhūṣitāḥ): adorned with all ornaments (fully embellished/auspiciously decorated)

Speaker

Suta (narrating to the sages of Naimisharanya)

Characters & Entities

• Shiva
• Ganga

FAQs

What is the importance of this verse in the context of Linga worship?

It elevates oceans and rivers—especially Gaṅgā—as inherently consecrated supports of Śiva’s order; in Liṅga-pūjā, such waters are primary for abhiṣeka, symbolizing purification of the pashu (bound soul) and alignment with Pati.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By portraying sacred waters as ornamented and protective, it implies Śiva-tattva as the all-pervading ground in which cosmic elements become auspicious instruments—protecting, purifying, and sustaining the path from pāśa (bondage) toward liberation.

What ritualistic or Yogic practice is highlighted here?

The implied practice is tirtha-based śauca and abhiṣeka (ritual bathing of the Liṅga) with Gaṅgā and other sacred waters—supporting Pāśupata discipline through purity, devotion, and consecrated offering.