Shloka 152
Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
दग्ध्वोद्धृतं सर्वमिदं त्वयाद्य जगत्त्रयं रुद्र पुरत्रयं हि कः स्तोतुमिच्छेत् कथमीदृशं त्वां स्तोष्ये हि तुष्टाय शिवाय तुभ्यम्
dagdhvoddhṛtaṃ sarvamidaṃ tvayādya jagattrayaṃ rudra puratrayaṃ hi kaḥ stotumicchet kathamīdṛśaṃ tvāṃ stoṣye hi tuṣṭāya śivāya tubhyam
おおルドラよ、今日あなたによって、この一切は焼き尽くされ、しかも再び引き上げられました—三界もまた三城（トリプラ）も。誰があなたを讃えようと望み得ましょうか。いかにして私は、かくも御方なるあなたを讃え得ましょう—自らにおいてすでに満ち足りた、常に吉祥なるシヴァよ。
Suta Goswami (narrating a hymn of praise spoken by the gods/devotee in the Tripura episode context)
FAQs
It frames Shiva as both dissolver and savior—burning (saṃhāra) and restoring (anugraha). In Linga worship, this supports seeing the Linga as the transcendent Pati who regulates creation, dissolution, and liberation, not merely a worldly boon-giver.
Shiva is portrayed as incomparable and essentially self-fulfilled (tuṣṭa), beyond the reach of adequate praise. This aligns with Shiva-tattva as the supreme Pati—independent, complete, and the source of both destruction of bondage (pāśa) and uplift of the pashu (soul).
The verse primarily highlights stotra-bhakti (hymnic praise) grounded in humility; implicitly it points to Pashupata orientation—surrender to the self-satisfied Lord, recognizing that liberation comes by His grace (anugraha) rather than by mere personal capacity.