Shloka 15

Devanagari script

अत्र गाथा महाराज्ञा पुरा गीता ययातिना याभिः प्रत्याहरेत् कामान् सर्वतो ऽङ्गानि कूर्मवत्

Transliteration

atra gāthā mahārājñā purā gītā yayātinā yābhiḥ pratyāharet kāmān sarvato 'ṅgāni kūrmavat

Translation

ここに、古の大王ヤヤーティが歌った古雅なるガーターがある。これにより欲望の衝動を引き戻し、亀が四肢を引き入れるように諸根と肢体を四方より収め、パシュ（個我）をパティ—シヴァへと静かに定めよ。

Word by Word

• atra: here

• gāthā: verse/ancient stanza

• mahārājñā: by the great king

• purā: formerly/long ago

• gītā: sung/uttered

• yayātinā: by Yayāti

• yābhiḥ: by which (teachings/verses)

• pratyāharet: should withdraw/draw back

• kāmān: desires/sense-objects

• sarvataḥ: from all sides/everywhere

• aṅgāni: limbs/senses

• kūrmavat: like a tortoise

Speaker

Suta Goswami (narrating, citing King Yayati’s gatha)

Characters & Entities

• Yayati
• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It frames Linga worship as inner discipline: withdrawing the senses (pratyāhāra) so the mind becomes fit for Śiva-dhyāna and Liṅga-upāsanā, rather than being dragged outward by kāma.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Śiva-tattva is implied as the Pati—steady, inwardly realized, and approached through turning the pashu away from pasha (sense-bondage) toward contemplative stillness.

What ritualistic or Yogic practice is highlighted here?

Pratyāhāra (sense-withdrawal), a core limb of yogic practice aligned with Pāśupata orientation—restraining kāma and gathering the senses inward like a tortoise.