Indra’s Account: Shilada’s Tapas and Shiva’s Manifestation as Nandi
त्वया तत्क्षम्यतां वत्स स्तवस्तव्य सुरासुरैः यः पठेच्छृणुयाद्वापि मम पुत्रप्रभाषितम्
tvayā tatkṣamyatāṃ vatsa stavastavya surāsuraiḥ yaḥ paṭhecchṛṇuyādvāpi mama putraprabhāṣitam
「愛しき子よ、どうかこれを赦したまえ。この讃歌は、デーヴァにもアスラにも称えられるにふさわしい。これを誦する者、あるいはただ聴く者でさえ――我が子の語ったこの言葉によって――浄めの功徳を得る。」
Brahmā (within Sūta’s narration to the sages of Naimiṣāraṇya)
It serves as a phala-śruti: it authorizes Shiva-stava as an efficacious limb of Linga devotion, declaring that even hearing (śravaṇa) the hymn yields purifying merit supportive of Shiva-pūjā.
By stating the hymn is revered by both Devas and Asuras, it implies Shiva’s supremacy as Pati—beyond sectarian or cosmic divisions—accessible to all pashus regardless of their station.
Śravaṇa and pāṭha (listening/recitation) of Shiva-stotra are highlighted as devotional disciplines that weaken pāśa (bondage) and orient the pashu toward Pati through remembrance and praise.