प्रलय-तत्त्वलयः, नीललोहित-रुद्रः, अष्टमूर्तिस्तवः, एवं ब्रह्मणो वैराग्यम्
अष्टमूर्तेस्तु सायुज्यं वर्षादेकादवाप्नुयात् एवं स्तुत्वा महादेवम् अवैक्षत पितामहः
aṣṭamūrtestu sāyujyaṃ varṣādekādavāpnuyāt evaṃ stutvā mahādevam avaikṣata pitāmahaḥ
十一年のうちに、八相の主(Aṣṭamūrti)とのサーユジュヤ(sāyujya)—完全なる合一—を得る。かくしてマハーデーヴァ(Mahādeva)を讃え終えると、ピターマハ(Brahmā)はついに御方を拝した。
Suta Goswami (narrating the internal episode involving Brahma/Pitamaha)
It states the fruit (phala) of praising Śiva as Aṣṭamūrti: sustained devotion culminates in sāyujya, and culminates in darśana—direct beholding of Mahādeva—showing that inner worship (stuti) supports Linga-upāsanā’s goal of liberation.
Śiva is presented as Aṣṭamūrti—the all-pervasive Pati manifesting through cosmic forms—yet personally accessible, granting sāyujya to the paśu when pāśa is dissolved through devotion and realization.
Stuti (hymnic praise) as a disciplined sādhana over time; it functions like bhakti-yukta upāsanā within a Pāśupata orientation, leading to purification, grace (anugraha), and ultimately darśana and sāyujya.