Deva–Asura Battle after the Nectar; Bali’s Illusions and Hari’s Intervention
चित्रध्वजपटै राजन्नातपत्रै: सितामलै: । महाधनैर्वज्रदण्डैर्व्यजनैर्बार्हचामरै: ॥ १३ ॥ वातोद्धूतोत्तरोष्णीषैरर्चिर्भिर्वर्मभूषणै: । स्फुरद्भिर्विशदै: शस्त्रै: सुतरां सूर्यरश्मिभि: ॥ १४ ॥ देवदानववीराणां ध्वजिन्यौ पाण्डुनन्दन । रेजतुर्वीरमालाभिर्यादसामिव सागरौ ॥ १५ ॥
citra-dhvaja-paṭai rājann ātapatraiḥ sitāmalaiḥ mahā-dhanair vajra-daṇḍair vyajanair bārha-cāmaraiḥ
王よ、パーンドゥの子孫よ。天神と阿修羅の勇士たちの二つの陣は、色鮮やかな旗と白い日傘で飾られ、風に衣と頭巾がひるがえり、陽光の下で鎧や装身具、澄んだ鋭い武器がきらめいた。ゆえに両軍は、水の生きものの帯をまとった二つの海のように見えた。
This verse describes the battlefield pageantry—banners, white parasols, standards, fans, and cāmara whisks—showing the royal, opulent display surrounding the Devasura war.
Śukadeva is narrating the Devasura battle in vivid detail, helping Parīkṣit visualize the scene and understand how even grand material opulence accompanies conflict in the world.
External grandeur can be impressive, but it is temporary; cultivate inner devotion and character rather than being overly captivated by display and status.