Agni Purana — Yoga & Brahma-vidya, Shloka 29
Chapter 373 — ध्यानम्
Dhyāna / Meditation
अग्निमण्डलमध्यस्थः शङ्खचक्रगदाधरः पद्मी चतुर्भुजो विष्णुरथ वाष्टभुजो हरिः
agnimaṇḍalamadhyasthaḥ śaṅkhacakragadādharaḥ padmī caturbhujo viṣṇuratha vāṣṭabhujo hariḥ
火のマンダラの中央に住するのはヴィシュヌである。蓮華を携え、四臂にして、法螺貝・円盤（チャクラ）・棍棒（ガダー）を執る。あるいは八臂のハリとして観想すべきである。
Lord Agni (in dialogue tradition, instructing the sage Vasiṣṭha on ritual visualization)
Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Vrata","practical_application":"Dhyāna-śloka/arcana-krama: visualize Viṣṇu/Hari in the agni-maṇḍala center with specified arms and āyudhas before mantra-japa and offerings.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Agni-maṇḍala-madhya Viṣṇu/Hari Dhyāna (Caturbhuja/Aṣṭabhuja)","lookup_keywords":["agni-maṇḍala","viṣṇu dhyāna","caturbhuja","aṣṭabhuja hari","śaṅkha-cakra-gadā-padma"],"quick_summary":"In fire-maṇḍala worship, place Viṣṇu in the center as four-armed with conch, discus, mace, and lotus, or contemplate Hari as eight-armed. This fixes the deity’s form for stable concentration and correct pūjā visualization."}
Concept: Rūpa-dhyāna as a support (ālambana) for steadiness of mind in worship.
Application: Before offerings, mentally ‘install’ the deity in the maṇḍala-center and keep the same form throughout japa and upacāras to prevent vikalpa.
Khanda Section: Puja-vidhi (Vishnu–Hari iconography and dhyana within Agni-mandala worship)
Primary Rasa: adbhuta
Secondary Rasa: śānta
Visual Art Cues: {"scene_description":"A blazing agni-maṇḍala with a lotus-like center where Viṣṇu appears, four-armed holding conch, discus, mace, and lotus; alternate depiction shows Hari with eight arms, all radiant within the fire-circle.","kerala_mural_prompt":"Kerala temple mural style, circular agni-maṇḍala with stylized flames, central Viṣṇu caturbhuja holding śaṅkha-cakra-gadā-padma, rich reds/ochres/greens, bold outlines, serene face, ritual symmetry","tanjore_prompt":"Tanjore painting, central Viṣṇu seated/standing in agni-maṇḍala, heavy gold foil halo and ornaments, śaṅkha-cakra-gadā-padma clearly shown, jewel inlays, deep maroon background, temple arch framing","mysore_prompt":"Mysore painting, clean linework and soft shading, instructional composition showing maṇḍala center placement, labels implied by clear attributes, calm palette, precise depiction of four arms and āyudhas","mughal_miniature_prompt":"Mughal miniature, detailed fire-maṇḍala as a patterned circle, Viṣṇu in the center with conch/discus/mace/lotus, fine textile details, delicate facial features, gold accents, balanced geometry"}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"devotional"}
Sandhi Resolution Notes: agnimaṇḍalamadhyasthaḥ = अग्नि-मण्डल-मध्य-स्थः; śaṅkhacakragadādharaḥ = शङ्ख-चक्र-गदा-धरः; caturbhujo = चतुर्-भुजः; vāṣṭabhujo = वा + अष्ट-भुजः (vowel sandhi: आ + अ → आ).
Related Themes: Agni Purana 373 (Pūjā-vidhi: dhyāna-lakṣaṇa, japa-dhyāna)
FAQs
It teaches dhyāna-lakṣaṇa (meditative iconography) for worship: visualize Viṣṇu/Hari placed at the center of the Agni-maṇḍala, specifically with conch, discus, mace, and lotus, in either a four-armed or an eight-armed form.
Beyond mythology, the Agni Purana functions as a ritual handbook: it catalogs precise deity-forms, attributes (āyudha), and placement within maṇḍalas—practical details used in pūjā, homa, and tantric-style visualizations.
Correct visualization of the deity’s form and placement is treated as a purifier and concentrator of mind in worship, aligning the ritual space (maṇḍala) and the practitioner’s attention with Viṣṇu’s protective presence (Hari) for merit (puṇya) and inner steadiness.