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Shloka 17

Svargārohaṇa-parva Adhyāya 5 — Karmaphala-Nirdeśa and Phalāśruti (कर्मफलनिर्देशः फलश्रुतिश्च)

कंसश्रैवोग्रसेनश्व वसुदेवस्तथैव च । उत्तरश्न सह भ्रात्रा शड़्खेन नरपुड्भवः

kaṁsaś caivogrāsenaś ca vasudevas tathaiva ca | uttaraś ca saha bhrātrā śaṅkhena narapuṅgavaḥ ||

Vaiśampāyana said: “Kāṁsa, and likewise Ugrāsena, and also Vasudeva; and Uttara too—together with his brother Śaṅkha—those foremost among men (were there/are named).” In the Svargārohaṇa narrative, such cataloguing underscores that even the mighty and renowned are gathered under the same law of impermanence, as the epic turns from victory and loss toward the final reckoning of lives and deeds.

कंसःKamsa
कंसः:
Karta
TypeNoun
Rootकंस
FormMasculine, Nominative, Singular
and
:
TypeIndeclinable
Root
एवindeed/just
एव:
TypeIndeclinable
Rootएव
उग्रसेनःUgrasena
उग्रसेनः:
Karta
TypeNoun
Rootउग्रसेन
FormMasculine, Nominative, Singular
and
:
TypeIndeclinable
Root
वसुदेवःVasudeva
वसुदेवः:
Karta
TypeNoun
Rootवसुदेव
FormMasculine, Nominative, Singular
तथाthus/likewise
तथा:
TypeIndeclinable
Rootतथा
एवindeed/also
एव:
TypeIndeclinable
Rootएव
and
:
TypeIndeclinable
Root
उत्तरःUttara (a person named Uttara)
उत्तरः:
Karta
TypeNoun
Rootउत्तर
FormMasculine, Nominative, Singular
सहtogether with
सह:
Karana
TypeIndeclinable
Rootसह
भ्रात्राwith (his) brother
भ्रात्रा:
Karana
TypeNoun
Rootभ्रातृ
FormMasculine, Instrumental, Singular
शङ्खेनwith Shankha (name) / with a conch
शङ्खेन:
Karana
TypeNoun
Rootशङ्ख
FormMasculine, Instrumental, Singular
नरपुङ्गवःthe best of men
नरपुङ्गवः:
Karta
TypeNoun
Rootनरपुङ्गव
FormMasculine, Nominative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
K
Kaṁsa
U
Ugrāsena
V
Vasudeva
U
Uttara
Ś
Śaṅkha

Educational Q&A

By listing eminent figures as the narrative approaches its close, the text highlights the universality of mortality and consequence: status and power do not exempt anyone from the moral and existential order that governs all beings.

Vaiśampāyana is enumerating notable persons—Kaṁsa, Ugrāsena, Vasudeva, and Uttara with his brother Śaṅkha—within the Svargārohaṇa context, where the epic’s concluding movement gathers names and fates as it transitions toward the final ascent and closure.