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Shloka 9

Gāndhārī’s Battlefield Survey: The Fallen and the Onset of Funeral Rites (शल्य-भगीरथ-भीष्म-द्रोणादि-दर्शनम्)

शल्यं शरणदं शूरं पश्येमं वृष्णिनन्दन । शयानं वीरशयने शरैविशकलीकृतम्‌,वृष्णिनन्दन! देखो, ये दूसरोंको शरण देनेवाले शूरवीर शल्य बाणोंसे छिन्न-भिन्न होकर वीरशय्यापर सो रहे हैं

śalyaṁ śaraṇadaṁ śūraṁ paśyemaṁ vṛṣṇinandana | śayānaṁ vīraśayane śaraiś chinnabhinnīkṛtam ||

Vaiśaṃpāyana said: “O descendant of the Vṛṣṇis, behold this Śalya—heroic and famed as a giver of refuge—now lying upon the warrior’s bed, his body torn and mangled by arrows.” The line underscores the moral irony of war: even those known for protecting others are reduced to helplessness when adharma-driven violence reaches its end.

शल्यंShalya (the warrior)
शल्यं:
Karma
TypeNoun
Rootशल्य
FormMasculine, Accusative, Singular
शरणदम्giver of refuge
शरणदम्:
Karma
TypeAdjective
Rootशरणद
FormMasculine, Accusative, Singular
शूरम्heroic, brave
शूरम्:
Karma
TypeAdjective
Rootशूर
FormMasculine, Accusative, Singular
पश्यsee!
पश्य:
TypeVerb
Rootदृश्
FormImperative, Second, Singular, Parasmaipada
इमम्this (one)
इमम्:
Karma
TypePronoun
Rootइदम्
FormMasculine, Accusative, Singular
वृष्णिनन्दनO son of the Vrishni (Krishna)
वृष्णिनन्दन:
TypeNoun
Rootवृष्णिनन्दन
FormMasculine, Vocative, Singular
शयानम्lying, reclining
शयानम्:
Karma
TypeVerb
Rootशी
FormPresent active participle (शतृ), Masculine, Accusative, Singular
वीरशयनेon the hero's bed (bed of arrows)
वीरशयने:
Adhikarana
TypeNoun
Rootवीरशयन
FormNeuter, Locative, Singular
शरैःby arrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural
विशकलीकृतम्cut into pieces, mangled
विशकलीकृतम्:
Karma
TypeAdjective
Rootविशकलीकृत
FormPast passive participle (क्त), Masculine, Accusative, Singular

वैशम्पायन उवाच

V
Vaiśaṃpāyana
Ś
Śalya
V
Vṛṣṇinandana (Kṛṣṇa)
A
arrows (śara)
V
vīraśayana (hero’s bed/battlefield bier)

Educational Q&A

The verse highlights the fragility of worldly power and reputation: even a renowned protector (śaraṇada) can be brought low by the consequences of war. It invites ethical reflection on violence and the sorrow that follows, a key mood of the Strī Parva.

Vaiśaṃpāyana points out Śalya’s fallen body to Vṛṣṇinandana (Kṛṣṇa), describing him lying on the battlefield as on a ‘hero’s bed,’ pierced and mangled by arrows—an image of the war’s aftermath.