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Shloka 54

Duryodhana-patana-anuśocana

The Fall of Duryodhana and the Contest of Restraint

जज्ञे घोरतर: शब्दो बहूनां सर्वतोदिशम्‌ | उस घोर शब्दके साथ बहुत-से पशुओं और पक्षियों-कती भयानक आवाज भी सम्पूर्ण दिशाओंमें गूँज उठी ।। ५३ ह ।। ये तत्र वाजिन: शेषा गजाश्न मनुजै: सह

jajñe ghorataraḥ śabdo bahūnāṃ sarvatodiśam | ye tatra vājinaḥ śeṣā gajāś ca manujaiḥ saha ||

Vāyu-deva said: “A still more dreadful roar arose, spreading in every direction from the multitude. And there, the remaining horses and elephants—together with the men—(were caught amid that fearful tumult).”

जज्ञेwas born/arose
जज्ञे:
TypeVerb
Rootजन् (√जन्)
FormPerfect (Liṭ), Ātmanepada, 3rd, singular
घोरतरःmore terrible
घोरतरः:
TypeAdjective
Rootघोरतर (घोर + तर)
Formmasculine, nominative, singular
शब्दःsound/noise
शब्दः:
Karta
TypeNoun
Rootशब्द
Formmasculine, nominative, singular
बहूनाम्of many
बहूनाम्:
TypeAdjective
Rootबहु
Formmasculine/neuter/feminine, genitive, plural
सर्वतःfrom all sides/everywhere
सर्वतः:
TypeIndeclinable
Rootसर्वतः
दिशम्direction (as locus/extent)
दिशम्:
Adhikarana
TypeNoun
Rootदिश्
Formfeminine, accusative, singular
येthose who/which
ये:
Karta
TypePronoun
Rootयद्
Formmasculine, nominative, plural
तत्रthere
तत्र:
Adhikarana
TypeIndeclinable
Rootतत्र
वाजिनःhorses
वाजिनः:
Karta
TypeNoun
Rootवाजिन्
Formmasculine, nominative, plural
शेषाःremaining
शेषाः:
TypeAdjective
Rootशेष
Formmasculine, nominative, plural
गजाश्नelephant-eater (a lion)
गजाश्न:
TypeNoun
Rootगजाशन
Formmasculine, nominative, singular
मनुजैःby/with men
मनुजैः:
Karana
TypeNoun
Rootमनुज
Formmasculine, instrumental, plural
सहtogether with
सह:
TypeIndeclinable
Rootसह

वायुदेव उवाच

V
Vāyu-deva
S
sound/roar (śabda)
H
horses (vājinaḥ)
E
elephants (gajāḥ)
M
men (manujāḥ)

Educational Q&A

The verse underscores how war unleashes uncontrollable, all-pervading terror that engulfs humans and animals alike, hinting at the ethical cost of violence and the fragility of life amid collective conflict.

Vāyu-deva describes a sudden, extremely frightening clamour resounding in every direction; the remaining horses and elephants, along with the men, are depicted as being present within that overwhelming uproar, intensifying the scene of battlefield turmoil.