Shloka 6

उत्तेजनी जयत्सेना कमलाक्ष्यथ शोभना | शत्रुंजया तथा चैव क्रोधना शलभी खरी

uttejanī jayatsenā kamalākṣy atha śobhanā | śatruñjayā tathā caiva krodhanā śalabhī kharī ||

Vaiśampāyana said: “(There were) Uttejanī, Jayatsenā, Kamalākṣī, and also Śobhanā; likewise Śatruñjayā, and Krodhanā, Śalabhī, and Kharī.” In the war-narrative context, the verse functions as a catalog of named women, preserving memory and lineage by recording individual identities amid the larger violence of the Kurukṣetra events.

उत्तेजनीUttejanī (a woman's name; the inciter/rouser)
उत्तेजनी:
Karta
TypeNoun
Rootउत्तेजनी
FormFeminine, Nominative, Singular
जयत्सेनाJayatsenā (whose army conquers; a woman's name)
जयत्सेना:
Karta
TypeNoun
Rootजयत्सेना
FormFeminine, Nominative, Singular
कमलाक्षीKamalākṣī (lotus-eyed; a woman's name)
कमलाक्षी:
Karta
TypeNoun
Rootकमलाक्षी
FormFeminine, Nominative, Singular
अथand then / also
अथ:
TypeIndeclinable
Rootअथ
शोभनाbeautiful; splendid (a woman's name or epithet)
शोभना:
Karta
TypeAdjective
Rootशोभन
FormFeminine, Nominative, Singular
शत्रुंजयाŚatruñjayā (conqueror of enemies; a woman's name)
शत्रुंजया:
Karta
TypeNoun
Rootशत्रुंजया
FormFeminine, Nominative, Singular
तथाlikewise / also
तथा:
TypeIndeclinable
Rootतथा
and
:
TypeIndeclinable
Root
एवindeed / just
एव:
TypeIndeclinable
Rootएव
क्रोधनाwrathful; angry (a woman's name or epithet)
क्रोधना:
Karta
TypeAdjective
Rootक्रोधन
FormFeminine, Nominative, Singular
शलभीŚalabhī (a woman's name; lit. 'moth/locust')
शलभी:
Karta
TypeNoun
Rootशलभी
FormFeminine, Nominative, Singular
खरीKharī (a woman's name; lit. 'she-donkey')
खरी:
Karta
TypeNoun
Rootखरी
FormFeminine, Nominative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
U
Uttejanī
J
Jayatsenā
K
Kamalākṣī
Ś
Śobhanā
Ś
Śatruñjayā
K
Krodhanā
Ś
Śalabhī
K
Kharī

Educational Q&A

The verse is primarily documentary rather than didactic: it underscores how the epic preserves individual identities through careful naming, reminding readers that behind large-scale conflict stand distinct persons whose lives are worth recording.

Vaiśampāyana continues a list of women’s names within the Shalya Parva’s ongoing narration, presenting a catalog-style enumeration as part of the epic’s broader account of people connected to the events of the war.