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Shloka 15

द्रोणपर्व — अध्याय ८७: सात्यकेरनुयात्रा

Sātyaki’s resolve and departure to reach Arjuna

द्रोणपुत्र॑ महेष्वासं गायना नर्तकाश्न ये । अत्यर्थमुपतिष्ठन्ति तेषां न श्रूयते ध्वनि:,महाधनुर्धर द्रोणपुत्रकी सेवामें जो गायक और नर्तक अधिक उपस्थित होते थे, उनकी ध्वनि अब नहीं सुनायी देती है

Droṇaputraṁ maheṣvāsaṁ gāyanā nartakāś ca ye | atyartham upatiṣṭhanti teṣāṁ na śrūyate dhvaniḥ ||

Dhṛtarāṣṭra said: “Those singers and dancers who once attended the mighty archer, Droṇa’s son, in great numbers—now their sound is no longer heard.” In the midst of war, the king marks how the familiar signs of honor and celebration around a powerful warrior have fallen silent, hinting at the fragility of worldly glory and the ominous turn of events.

द्रोणपुत्रO son of Droṇa
द्रोणपुत्र:
Sambodhana
TypeNoun
Rootद्रोणपुत्र
FormMasculine, Vocative, Singular
महेष्वासम्the great archer
महेष्वासम्:
Karma
TypeAdjective
Rootमहेष्वास
FormMasculine, Accusative, Singular
गायनाःsingers
गायनाः:
Karta
TypeNoun
Rootगायन
FormMasculine, Nominative, Plural
नर्तकाःdancers
नर्तकाः:
Karta
TypeNoun
Rootनर्तक
FormMasculine, Nominative, Plural
and
:
TypeIndeclinable
Root
येwho
ये:
Karta
TypePronoun
Rootयद्
FormMasculine, Nominative, Plural
अत्यर्थम्excessively, very much
अत्यर्थम्:
TypeIndeclinable
Rootअत्यर्थम्
उपतिष्ठन्तिattend upon, stand by, serve
उपतिष्ठन्ति:
TypeVerb
Rootउप-स्था (तिष्ठ)
FormPresent, Third, Plural, Parasmaipada
तेषाम्of them
तेषाम्:
Sambandha
TypePronoun
Rootतद्
FormMasculine/Neuter, Genitive, Plural
not
:
TypeIndeclinable
Root
श्रूयतेis heard
श्रूयते:
TypeVerb
Rootश्रु
FormPresent, Third, Singular, Passive (Karmani)
ध्वनिःsound, noise
ध्वनिः:
Karta
TypeNoun
Rootध्वनि
FormMasculine, Nominative, Singular

धृतराष्ट उवाच

D
Dhṛtarāṣṭra
D
Droṇaputra (Aśvatthāmā)
S
singers (gāyanāḥ)
D
dancers (nartakāḥ)

Educational Q&A

The verse underscores the impermanence of worldly honor: the sounds of celebration and service that surround power can vanish abruptly under the pressure of fate and war, reminding one not to rely on external markers of greatness.

Dhṛtarāṣṭra reflects on Droṇa’s son, Aśvatthāmā, noting that the entertainers who once crowded around him are no longer heard—an observation that signals a change in circumstances and a darkening atmosphere amid the ongoing conflict.