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Shloka 30

Yudhiṣṭhira–Droṇa Saṃgrāma

Engagement and Countermeasures

हेमरूप्यमयै: शृज्ैननौषधिविदीपितान्‌ | तथा मन्दारवृक्षैश्न पुष्पितिरपशोभितान्‌,सोने और चाँदीके शिखर तथा फूलोंसे भरे हुए पारिजातके वृक्ष उन पर्वतीय प्रान्तोंकी शोभा बढ़ा रहे थे तथा भाँति-भाँतिकी तेजोमयी ओषधियाँ वहाँ अपना प्रकाश फैला रही थीं

hemarūpyamayaiḥ śṛṅgair nānāuṣadhividīpitān | tathā mandāravṛkṣaiś ca puṣpitaiḥ paryupaśobhitān ||

Sañjaya said: Those mountain tracts were lit up by many radiant, luminous herbs, and further adorned on every side by flowering mandāra trees; their peaks, as if fashioned of gold and silver, heightened the splendor of the landscape. The description underscores a vision of extraordinary, almost otherworldly beauty standing in stark contrast to the surrounding violence of war, reminding the listener that nature’s grandeur and auspicious signs can coexist with human conflict.

हेमरूप्यमयैःmade of gold and silver (with)
हेमरूप्यमयैः:
Karana
TypeAdjective
Rootहेमरूप्यमय
FormMasculine, Instrumental, Plural
शृङ्गैःpeaks/summits
शृङ्गैः:
Karana
TypeNoun
Rootशृङ्ग
FormNeuter, Instrumental, Plural
नानौषधि-विदीपितान्illumined by various luminous herbs
नानौषधि-विदीपितान्:
Karma
TypeAdjective
Rootनानौषधि-विदीपित
FormMasculine, Accusative, Plural
तथाand likewise
तथा:
TypeIndeclinable
Rootतथा
मन्दारवृक्षैःwith mandāra trees
मन्दारवृक्षैः:
Karana
TypeNoun
Rootमन्दारवृक्ष
FormMasculine, Instrumental, Plural
पुष्पितैःin bloom, flower-laden
पुष्पितैः:
Karana
TypeAdjective
Rootपुष्पित
FormMasculine, Instrumental, Plural
अपशोभितान्adorned/beautified
अपशोभितान्:
Karma
TypeAdjective
Rootअपशोभित
FormMasculine, Accusative, Plural

संजय उवाच

S
Sañjaya
M
mountain peaks/tracts
G
gold (hema)
S
silver (rūpya)
L
luminous herbs (auṣadhi)
M
mandāra trees

Educational Q&A

The verse offers a reflective contrast: even during the devastation of war, the world retains signs of beauty and auspiciousness. It subtly invites discernment—human actions may be violent, yet the larger order of nature and the sacred imagination of the epic continue to display splendor, prompting ethical reflection on the dissonance between outer grandeur and inner human conduct.

Sañjaya is describing a striking landscape—mountain regions with peaks gleaming like gold and silver, illuminated by radiant herbs and beautified by flowering mandāra trees. This functions as vivid scene-setting within the Drona Parva’s war narrative.