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Shloka 4

Droṇa-parva Adhyāya 29 — Arjuna’s defeat of Vṛṣaka–Acalā and the neutralization of Śakuni’s māyā

अथ कार्ष्णयसैर्बाणै: पूर्णकार्मुकनि:सूतै: । अविध्यद्‌ देवकीपुत्र हेमपुड्खै: शिलाशितै:,उन्होंने धनुषको पूर्णरूपसे खींचकर छोड़े हुए लोहेके बने और शानपर चढ़ाकर तेज किये हुए सुवर्णमय पंखयुक्त बाणोंसे देवकीपुत्र श्रीकृष्णको घायल कर दिया

atha kārṣṇayasaḥ bāṇaiḥ pūrṇa-kārmuka-niḥsūtaiḥ | avidhyad devakīputraṃ hema-puṅkhaiḥ śilāśitaiḥ ||

Sañjaya said: Then, with iron arrows—shot forth from fully drawn bows, their tips honed on the whetstone and fitted with golden feathers—they struck Devakī’s son, Śrī Kṛṣṇa. The scene underscores the ruthless precision of battle: even the charioteer and guide of dharma is not spared the hazards of war, reminding the listener that violence, once unleashed, does not neatly confine itself to ‘combatants’ alone.

अथthen
अथ:
TypeIndeclinable
Rootअथ
कार्ष्णयसाwith black iron
कार्ष्णयसा:
Karana
TypeNoun
Rootकार्ष्णयस
FormNeuter, Instrumental, Singular
बाणैःwith arrows
बाणैः:
Karana
TypeNoun
Rootबाण
FormMasculine, Instrumental, Plural
पूर्णfully (drawn)
पूर्ण:
Karana
TypeAdjective
Rootपूर्ण
FormNeuter, Instrumental, Singular
कार्मुकbow
कार्मुक:
Karana
TypeNoun
Rootकार्मुक
FormNeuter, Instrumental, Singular
निःसूतैःshot forth / discharged
निःसूतैः:
Karana
TypeAdjective
Rootनिःसूत
FormMasculine, Instrumental, Plural
अविध्यत्pierced; wounded
अविध्यत्:
TypeVerb
Rootव्यध्
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada
देवकीपुत्रम्Devakī's son (Kṛṣṇa)
देवकीपुत्रम्:
Karma
TypeNoun
Rootदेवकीपुत्र
FormMasculine, Accusative, Singular
हेमपुङ्खैःwith golden-feathered (arrows)
हेमपुङ्खैः:
Karana
TypeAdjective
Rootहेमपुङ्ख
FormMasculine, Instrumental, Plural
शिलाशितैःsharpened on a whetstone
शिलाशितैः:
Karana
TypeAdjective
Rootशिलाशित
FormMasculine, Instrumental, Plural

संजय उवाच

S
Sañjaya
D
Devakī
K
Kṛṣṇa (Devakīputra)
A
arrows (bāṇa)
B
bow (kārmuka)
I
iron (kṛṣṇa-ayas)
G
golden fletching (hema-puṅkha)
W
whetstone (śilā)

Educational Q&A

The verse highlights the moral gravity of warfare: once battle is joined, harm can reach even revered figures like Kṛṣṇa. It cautions that violence has spillover effects and that dharma in war requires vigilance, restraint, and accountability, not merely skill.

Sañjaya narrates that Kṛṣṇa is struck by arrows—iron shafts released from fully drawn bows, sharpened on stone and adorned with golden feathers—emphasizing the intensity and technical ferocity of the fighting.