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Shloka 6

उपायैः पूर्ववधकथनम् / Strategic Justifications for Prior Eliminations

मैं तो समझता हूँ शत्रुओंको बहुत देरतक बिना मौसमके ही सर्दी लगने लगी होगी। जैसे शिशिर-ऋतुमें गायें सर्दीके मारे काँपने लगती हैं, उसी तरह वे शत्रु-सैनिक भी आचार्यके भयसे थर-थर काँपने लगे होंगे ।। यत्प्राविशन्महेष्वास: पठचालानपराजित: । नृत्यन्‌ स रथमार्गेषु सर्वशस्त्रभूृतां वर:

sañjaya uvāca | yat prāviśan maheṣvāsaḥ paṭacālān aparājitaḥ | nṛtyan sa ratha-mārgeṣu sarva-śastra-bhṛtāṃ varaḥ ||

Sañjaya said: When that unconquered, great archer entered the Paṭacāla ranks, dancing along the chariot-lanes, he—foremost among all who bear weapons—made the enemy host tremble with dread. The scene suggests not merely physical prowess but the moral force of a renowned teacher-warrior whose presence itself breaks the enemy’s confidence.

यत्which/that (fact that)
यत्:
Karma
TypePronoun
Rootयद्
FormNeuter, Accusative, Singular
प्राविशन्entered
प्राविशन्:
TypeVerb
Rootप्र + विश्
FormImperfect (Laṅ), 3rd, Plural, Parasmaipada
महेष्वासाःgreat bowmen
महेष्वासाः:
Karta
TypeNoun
Rootमहेष्वास
FormMasculine, Nominative, Plural
पठचालान्Pañcālas (Panchala warriors)
पठचालान्:
Karma
TypeNoun
Rootपठचाल
FormMasculine, Accusative, Plural
अपराजितःunconquered, undefeated
अपराजितः:
Karta
TypeAdjective
Rootअपराजित
FormMasculine, Nominative, Singular
नृत्यन्dancing (as he went)
नृत्यन्:
TypeVerb
Rootनृत्
Formशतृ (present active participle), Masculine, Nominative, Singular
सःhe
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
रथमार्गेषुon the chariot-paths/roads
रथमार्गेषु:
Adhikarana
TypeNoun
Rootरथमार्ग
FormMasculine, Locative, Plural
सर्वशस्त्रभृताम्of all weapon-bearers
सर्वशस्त्रभृताम्:
TypeNoun
Rootसर्वशस्त्रभृत्
FormMasculine, Genitive, Plural
वरःthe best, the foremost
वरः:
Karta
TypeNoun
Rootवर
FormMasculine, Nominative, Singular

संजय उवाच

S
Sañjaya
M
maheṣvāsa (the great archer, implied warrior/ācārya figure)
P
Paṭacālas
R
ratha (chariot)
Ś
śastra (weapons)

Educational Q&A

The verse highlights how battlefield outcomes depend not only on weapons but also on morale: the entry of an undefeated master-archer can ethically and psychologically dominate opponents, showing the power of reputation, discipline, and fearless presence within kṣatriya conduct.

Sañjaya describes an unconquered great archer advancing into the enemy formation, moving ‘as if dancing’ along the chariot lanes—an image of confident, almost taunting momentum—causing the opposing soldiers to quake in fear.