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Shloka 4

अलंबलवधः (Alaṃbala-vadhaḥ) / The Slaying of Alaṃbala and the Advance toward Karṇa

तावेतौ रथिनां श्रेष्ठी रथाभ्यां रथसत्तमौ | उभावुभयतस्ती ६णैर्विशिखैरभ्यवर्षताम्‌,रथियोंमें श्रेष्ठ वे दोनों महारथी दो दिशाओंसे आकर अर्जुनपर पैने बाणोंकी वर्षा करने लगे

tāvetau rathināṁ śreṣṭhī rathābhyāṁ rathasattamau | ubhāv ubhayatas tīkṣṇair viśikhair abhyavarṣatām ||

Sañjaya said: Those two—foremost among chariot-warriors, the best of the best—came forward in their chariots and, attacking from both sides, showered Arjuna with sharp arrows. The scene underscores the relentless pressure of battle, where prowess and strategy converge, even as the moral weight of violence continues to hang over every act on the field.

तौthose two
तौ:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Dual
एतौthese two
एतौ:
Karta
TypePronoun
Rootएतद्
FormMasculine, Nominative, Dual
रथिनाम्of chariot-warriors
रथिनाम्:
Adhikarana
TypeNoun
Rootरथिन्
FormMasculine, Genitive, Plural
श्रेष्ठीthe best (two)
श्रेष्ठी:
Karta
TypeNoun
Rootश्रेष्ठिन्
FormMasculine, Nominative, Dual
रथाभ्याम्with (their) two chariots
रथाभ्याम्:
Karana
TypeNoun
Rootरथ
FormMasculine, Instrumental, Dual
रथसत्तमौthe best of chariot-warriors
रथसत्तमौ:
Karta
TypeAdjective
Rootरथसत्तम
FormMasculine, Nominative, Dual
उभौboth
उभौ:
Karta
TypePronoun
Rootउभ
FormMasculine, Nominative, Dual
उभयतःfrom both sides/directions
उभयतः:
Adhikarana
TypeIndeclinable
Rootउभयतः
Formtrue
तीक्ष्णैःwith sharp
तीक्ष्णैः:
Karana
TypeAdjective
Rootतीक्ष्ण
FormMasculine, Instrumental, Plural
विशिखैःarrows
विशिखैः:
Karana
TypeNoun
Rootविशिख
FormMasculine, Instrumental, Plural
अभ्यवर्षताम्they two rained down (upon)
अभ्यवर्षताम्:
Karta
TypeVerb
Rootअभि-√वृष्
FormImperfect, 3rd, Dual, Parasmaipada

संजय उवाच

S
Sañjaya
T
two foremost chariot-warriors (unnamed in this verse)
A
Arjuna
C
chariots
A
arrows (viśikha)

Educational Q&A

The verse highlights how, in war, excellence and coordinated strategy can intensify violence—two elite warriors attack from both sides. Implicitly, it points to the Mahābhārata’s recurring ethical tension: even when combat is framed as duty, the reality of harm and relentless aggression remains morally weighty.

Sañjaya describes two top chariot-fighters advancing in their chariots and jointly assaulting Arjuna, striking from both directions and showering him with sharp arrows.