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Shloka 3

भीष्मरक्षण-उद्योगः, शिखण्डि-विवर्जनं, सर्वतोभद्र-व्यूहः

Protection of Bhīṣma, Exemption of Śikhaṇḍin, and the Sarvatobhadra Array

मुमोच निशितांस्तीक्ष्णान्‌ नाराचान्‌ पज्चविंशतिम्‌ । तेडपतन्‌ सहसा राजंस्तस्मिन्‌ राक्षसपुज़रवे

sañjaya uvāca |

mumoca niśitāṁs tīkṣṇān nārācān pañcaviṁśatim |

te 'patans sahasā rājan tasmin rākṣasapuṅgave ||

Sañjaya said: He released twenty-five sharp, keen-pointed nārāca arrows. O King, they fell all at once upon that foremost of the Rākṣasas—an image of swift, concentrated violence characteristic of the war’s relentless momentum.

मुमोचreleased, discharged
मुमोच:
Karta
TypeVerb
Rootमुच्
FormPerfect (Paroksha), 3rd, Singular, Parasmaipada
निशितान्sharpened
निशितान्:
Karma
TypeAdjective
Rootनिशित
FormMasculine, Accusative, Plural
तीक्ष्णान्keen, sharp
तीक्ष्णान्:
Karma
TypeAdjective
Rootतीक्ष्ण
FormMasculine, Accusative, Plural
नाराचान्iron arrows
नाराचान्:
Karma
TypeNoun
Rootनाराच
FormMasculine, Accusative, Plural
पञ्चविंशतिम्twenty-five (in number)
पञ्चविंशतिम्:
Karma
TypeNoun
Rootपञ्चविंशति
FormFeminine, Accusative, Singular
तेthey (those arrows)
ते:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Plural
अपतन्fell, flew (down)
अपतन्:
Karta
TypeVerb
Rootपत्
FormImperfect (Lan), 3rd, Plural, Parasmaipada
सहसाsuddenly, swiftly
सहसा:
Karana
TypeIndeclinable
Rootसहसा
राजन्O king
राजन्:
TypeNoun
Rootराजन्
FormMasculine, Vocative, Singular
तस्मिन्in/onto him (that one)
तस्मिन्:
Adhikarana
TypePronoun
Rootतद्
FormMasculine/Neuter, Locative, Singular
राक्षसपुञ्जरवेin the roar/clamor of a mass of rākṣasas
राक्षसपुञ्जरवे:
Adhikarana
TypeNoun
Rootराक्षसपुञ्जरव
FormMasculine, Locative, Singular

संजय उवाच

S
Sañjaya
K
King (Dhṛtarāṣṭra, implied by address rājan)
N
nārāca arrows
A
a foremost Rākṣasa (unnamed in this verse)

Educational Q&A

The verse itself is primarily descriptive rather than didactic: it highlights the concentrated, decisive use of force in battle. Ethically, within the Mahābhārata’s war-frame, it reflects the kṣatriya arena where skill and resolve are exercised, while also underscoring how swiftly violence escalates and overwhelms.

Sañjaya reports to the king that a warrior shoots twenty-five sharp nārāca missiles, which strike simultaneously upon a powerful Rākṣasa opponent, emphasizing suddenness and intensity in the ongoing combat.