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Shloka 37

Adhyāya 65: Dawn Assembly, Makara–Śyena Vyūhas, and Commander Engagements

अद्विसारमयी गुर्वी प्रगृह्ा महतीं गदाम्‌ । अभ्यधावद्‌ गजानीकं व्यादितास्य इवान्तक:,लोहेकी उस विशाल एवं भारी गदाको लेकर वे मुँह बाये हुए कालके समान उस गजसेनाकी ओर दौड़े

advisāramayī gurvī pragṛhya mahatīṁ gadām | abhyadhāvad gajānīkaṁ vyāditāsya ivāntakaḥ ||

Sañjaya said: Lifting a massive, heavy iron mace, he charged straight toward the elephant-corps, like Death itself with jaws agape. The verse heightens the battlefield’s moral pressure: valor and ferocity are displayed at their extreme, while the looming presence of ‘Antaka’ (Death) reminds the listener that war consumes all—heroism and life alike.

अद्विसारमयीmade of iron (lit. of non-wood essence)
अद्विसारमयी:
Karma
TypeAdjective
Rootअद्विसारमय
FormFeminine, Accusative, Singular
गुर्वीheavy
गुर्वी:
Karma
TypeAdjective
Rootगुरु
FormFeminine, Accusative, Singular
प्रगृह्यhaving seized / taking up
प्रगृह्य:
Karana
TypeVerb
Rootप्र + ग्रह्
Formल्यप् (absolutive/gerund), Parasmaipada (usage)
महतīmgreat, huge
महतīm:
Karma
TypeAdjective
Rootमहत्
FormFeminine, Accusative, Singular
गदाम्mace
गदाम्:
Karma
TypeNoun
Rootगदा
FormFeminine, Accusative, Singular
अभ्यधावत्ran towards / charged
अभ्यधावत्:
Karta
TypeVerb
Rootअभि + धाव्
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada
गजानीकम्elephant-corps, elephant-army
गजानीकम्:
Karma
TypeNoun
Rootगज + अनीक
FormNeuter, Accusative, Singular
व्यादितास्यःone whose mouth is opened wide
व्यादितास्यः:
Karta
TypeAdjective
Rootवि + आ + दा (→ व्यादित) + आस्य
FormMasculine, Nominative, Singular
इवlike, as if
इव:
TypeIndeclinable
Rootइव
अन्तकःDeath (the ender)
अन्तकः:
Karta
TypeNoun
Rootअन्तक
FormMasculine, Nominative, Singular

संजय उवाच

S
Sañjaya
G
gadā (mace)
G
gajānīka (elephant-corps)
A
Antaka (Death personified)

Educational Q&A

The verse underscores the inevitability of death in war and the terrifying momentum of martial fury. By comparing the attacker to Antaka (Death), it frames battle as a realm where human agency meets inexorable fate—prompting reflection on the ethical cost of violence even amid kṣatriya valor.

Sañjaya describes a warrior seizing a huge, heavy iron mace and charging into the elephant formation. The simile ‘like Death with mouth agape’ intensifies the scene, portraying the assault on the gajānīka as overwhelming and destructive.