Shloka 30

मालां च समुपादाय काञ्चनीं समलंकृताम्‌ । अवतीर्णा ततो रजझ्ुडं द्रौपदी भरतर्षभ,सोलहवें दिन अत्यन्त मनोहर समाज जुटा। भरतश्रेष्ठ) उसी दिन स्नान करके सुन्दर वस्त्र और सब प्रकारके आभूषणोंसे विभूषित हो हाथोंमें सोनेकी बनी हुई कामदार जयमाला लिये ट्रुपदराजकुमारी उस रंग-भूमिमें उतरी

mālāṃ ca samupādāya kāñcanīṃ samalaṅkṛtām | avatīrṇā tato raṅgabhūmiṃ draupadī bharatarṣabha ||

Vaiśampāyana said: Then Draupadī, holding in her hands a finely adorned golden garland, descended onto the arena, O bull among the Bharatas. The scene marks the solemn public moment of the svayaṃvara, where choice, reputation, and royal duty converge under the gaze of the assembled kings.

मालाम्garland
मालाम्:
Karma
TypeNoun
Rootमाला
FormFeminine, Accusative, Singular
and
:
TypeIndeclinable
Root
समुपादायhaving taken up
समुपादाय:
TypeVerb
Rootसम्-उप-आ-दा
Formल्यप् (absolutive/gerund), Parasmaipada (usage-neutral for gerund)
काञ्चनीम्golden
काञ्चनीम्:
Karma
TypeAdjective
Rootकाञ्चनी
FormFeminine, Accusative, Singular
समलङ्कृताम्adorned, decorated
समलङ्कृताम्:
TypeAdjective
Rootसम्-लङ्कृत (लङ्कृ)
Formक्त (past passive participle), Feminine, Accusative, Singular
अवतीर्णाdescended, came down
अवतीर्णा:
TypeVerb
Rootअव-तॄ (अवतीर्ण)
Formक्त (past active/resultative participle in intransitive sense), Feminine, Nominative, Singular
ततःthen, thereafter
ततः:
TypeIndeclinable
Rootततः
रजःdust
रजः:
Karma
TypeNoun
Rootरजस्
FormNeuter, Accusative, Singular
जुष्टम्covered with, beset with
जुष्टम्:
TypeAdjective
Rootजुष्ट (जुष्)
Formक्त (past passive participle), Neuter, Accusative, Singular
द्रौपदीDraupadi
द्रौपदी:
Karta
TypeNoun
Rootद्रौपदी
FormFeminine, Nominative, Singular
भरतर्षभO bull among the Bharatas
भरतर्षभ:
TypeNoun
Rootभरत-ऋषभ
FormMasculine, Vocative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
D
Draupadī
R
raṅgabhūmi (arena)
K
kāñcanī mālā (golden garland)

Educational Q&A

The verse highlights the ethical weight of public rites: personal choice is exercised within a framework of social responsibility, royal decorum, and dharma. The garland symbolizes selection, but also the accountability that follows a choice made before the community.

Draupadī enters the contest arena holding a decorated golden garland, signaling the formal commencement of the svayaṃvara proceedings in which she will indicate her chosen husband by placing the garland.