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Shloka 2

आस्तीक-उपाख्यान-प्रस्तावः | Introduction to the Āstīka Narrative

निखिलेन यथातत्त्वं सौते सर्वमशेषत: । आस्तीकक्ष द्विजश्रेष्ठ: किमर्थ जपतां वर:

nikhilena yathātattvaṃ saute sarvamaśeṣataḥ | āstīkakṣa dvijaśreṣṭhaḥ kimarthaṃ japatāṃ varaḥ ||

Śaunaka said: “O Sauti, tell us completely—exactly as it truly is, leaving nothing out—why Āstīka, the foremost among Brahmins, the best of those devoted to sacred recitation, came to be known and praised.”

निखिलेनcompletely, wholly
निखिलेन:
Karana
TypeAdjective
Rootनिखिल
FormNeuter, Instrumental, Singular
यथाas, according to
यथा:
TypeIndeclinable
Rootयथा
तत्त्वम्the truth, the real state
तत्त्वम्:
Karma
TypeNoun
Rootतत्त्व
FormNeuter, Accusative, Singular
सौतेO Sūta (charioteer-bard)
सौते:
TypeNoun
Rootसूत
FormMasculine, Vocative, Singular
सर्वम्everything
सर्वम्:
Karma
TypePronoun
Rootसर्व
FormNeuter, Accusative, Singular
अशेषतःwithout remainder, entirely
अशेषतः:
TypeIndeclinable
Rootअशेषतः
आस्तीकःĀstīka (proper name)
आस्तीकः:
Karta
TypeNoun
Rootआस्तीक
FormMasculine, Nominative, Singular
द्विजश्रेष्ठःthe best of the twice-born (Brahmins)
द्विजश्रेष्ठः:
Karta
TypeNoun
Rootद्विज-श्रेष्ठ
FormMasculine, Nominative, Singular
किमर्थम्for what purpose? why?
किमर्थम्:
TypeIndeclinable
Rootकिमर्थम्
जपताम्of those who are reciting/muttering (prayers)
जपताम्:
TypeVerb
Rootजप्
FormPresent active participle (शतृ), Masculine/Neuter, Genitive, Plural
वरःthe excellent one, the best
वरः:
Karta
TypeNoun
Rootवर
FormMasculine, Nominative, Singular

शौनक उवाच

शौनक (Śaunaka)
सौति / उग्रश्रवस् (Sauti / Ugraśravas)
आस्तीक (Āstīka)

Educational Q&A

The verse models a disciplined approach to sacred history: seek a complete account (nikhilena, aśeṣataḥ) and insist on truth as it is (yathātattvam). It also highlights esteem for Vedic recitation and Brahminical excellence, implying that spiritual authority should be grounded in learning, restraint, and truthful narration.

In the Naimiṣāraṇya setting, Śaunaka questions Sauti and requests a full, accurate explanation about Āstīka—why he is regarded as the foremost among Brahmins and among those devoted to mantra-recitation—thereby prompting the continuation of Āstīka’s account within the larger frame-story.