Sukeshi’s Inquiry into Dharma: The Seven Dvipas and the Twenty-One Hells
तमापतन्तं बाणैघैर्ववर्षं रविनन्दनम् हिरण्यकशिपोः पुत्रश् चापमानम्य वेगवान्
tamāpatantaṃ bāṇaighairvavarṣaṃ ravinandanam hiraṇyakaśipoḥ putraś cāpamānamya vegavān
Saat putra Ravi (Yama) maju, putra Hiraṇyakaśipu yang tangkas membengkokkan busurnya dan menghujaninya dengan rentetan anak panah yang dahsyat.
{ "primaryRasa": "vira", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The verse emphasizes the intensity of adharmic aggression (indiscriminate “arrow-rain”) and sets the stage for the restoration of balance through disciplined counter-force rather than uncontrolled violence.
This is best classified under Vaṃśānucarita/Carita material (narratives of beings in dynastic/lineage contexts and their exploits), specifically a battle episode within the broader mythic history.
‘Ravinandana’ represents solar order and visibility (prakāśa), while the Daitya’s arrow-shower symbolizes obscuring, chaotic force; the confrontation dramatizes the Purāṇic motif of order meeting disruption.