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Skanda Purana — Vishnu Khanda, Shloka 77

ब्रह्मरूपं हरिं ध्यायञ्जपन्वै द्वादशाक्षरम् । वायुभक्षः स्थितस्तत्र विप्रस्त्रीन्वत्सरान्वसन्

brahmarūpaṃ hariṃ dhyāyañjapanvai dvādaśākṣaram | vāyubhakṣaḥ sthitastatra viprastrīnvatsarānvasan

Sambil bermeditasi pada Hari dalam wujud Brahman dan melantunkan mantra dua belas suku kata, sang brāhmaṇa tinggal di sana selama tiga tahun, hidup hanya dengan menyerap udara.

brahma-rūpamhaving the form of Brahman
brahma-rūpam:
Karma (Object-qualifier/कर्मविशेषण)
TypeAdjective
Rootbrahman (प्रातिपदिक) + rūpa (प्रातिपदिक)
Formतत्पुरुष-समास (षष्ठी), पुंलिङ्ग, द्वितीया, एकवचन; Masculine, Accusative, Singular (विशेषण of harim)
harimHari
harim:
Karma (Object/कर्म)
TypeNoun
Roothari (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; Masculine, Accusative, Singular
dhyāyanmeditating
dhyāyan:
Karta (Agent-participle/कर्ता)
TypeVerb
Rootdhyai (धातु)
Formवर्तमान कृदन्त (शतृ), पुंलिङ्ग, प्रथमा, एकवचन; Present active participle, Masculine, Nominative, Singular
japanmuttering/reciting
japan:
Karta (Agent-participle/कर्ता)
TypeVerb
Rootjap (धातु)
Formवर्तमान कृदन्त (शतृ), पुंलिङ्ग, प्रथमा, एकवचन; Present active participle, Masculine, Nominative, Singular
vaiindeed
vai:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootvai (अव्यय)
Formनिपात (अव्यय), अवधानार्थ/एवकारार्थ; Particle (emphatic)
dvādaśa-akṣaramthe twelve-syllabled (mantra)
dvādaśa-akṣaram:
Karma (Object/कर्म)
TypeNoun
Rootdvādaśa (संख्या-प्रातिपदिक) + akṣara (प्रातिपदिक)
Formद्विगु-समास, नपुंसकलिङ्ग, द्वितीया, एकवचन; Neuter, Accusative, Singular
vāyu-bhakṣaḥone who subsists on air
vāyu-bhakṣaḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootvāyu (प्रातिपदिक) + bhakṣa (प्रातिपदिक)
Formतत्पुरुष-समास (कर्म/उपपद), पुंलिङ्ग, प्रथमा, एकवचन; Masculine, Nominative, Singular
sthitaḥremaining/staying
sthitaḥ:
Karta (Predicate participle/कर्ता)
TypeVerb
Rootsthā (धातु)
Formक्त-प्रत्ययान्त कृदन्त (भूतकर्मणि/भूत), पुंलिङ्ग, प्रथमा, एकवचन; Past passive participle, Masculine, Nominative, Singular
tatrathere
tatra:
Adhikarana (Locus/अधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
Formदेशवाचक-अव्यय; Adverb of place
vipraḥthe brāhmaṇa
vipraḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootvipra (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; Masculine, Nominative, Singular
trīnthree
trīn:
Karma (Object-quantifier/कर्मविशेषण)
TypeAdjective
Roottri (संख्या-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; Masculine, Accusative, Plural (विशेषण of vatsarān)
vatsarānyears
vatsarān:
Kāla-adhikarana (Time extent/कालाधिकरण)
TypeNoun
Rootvatsara (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; Masculine, Accusative, Plural
vasandwelling
vasan:
Karta (Agent-participle/कर्ता)
TypeVerb
Rootvas (धातु)
Formवर्तमान कृदन्त (शतृ), पुंलिङ्ग, प्रथमा, एकवचन; Present active participle, Masculine, Nominative, Singular

Narrator (contextual Purāṇic voice within Vaiṣṇavakhaṇḍa; speaker not explicit in the snippet)

Tirtha: Ayodhyā

Type: kshetra

Scene: A Brahmin ascetic sits motionless in Ayodhyā, eyes half-closed, repeating the twelve-syllabled mantra; his body is lean from austerity, surrounded by still air and faint temple silhouettes.

H
Hari
B
Brahman
D
Dvādaśākṣara (twelve-syllable mantra)

FAQs

Sustained mantra-japa and contemplation of Hari as the supreme Brahman, supported by austerity, is portrayed as a powerful path to divine grace.

The practice is situated within Ayodhyā Māhātmya, implying Ayodhyā as a favorable sacred setting for intense Vaiṣṇava tapas.

Dvādaśākṣara-mantra japa and severe tapas (vāyubhakṣa—subsisting on air) maintained for three years.