दिवसे पंच कालाः स्युस्त्रिमुहूर्ताः श्रृणुष्व तान् । प्रातस्ततः संगवश्च मध्याह्नश्चापराह्णकः
divase paṃca kālāḥ syustrimuhūrtāḥ śrṛṇuṣva tān | prātastataḥ saṃgavaśca madhyāhnaścāparāhṇakaḥ
Dalam satu hari ada lima kala, masing-masing tiga muhūrta—dengarkanlah: pagi (prātaḥ), kemudian saṃgava, kemudian tengah hari (madhyāhna), dan sore (aparāhṇa).
Lomaharṣaṇa (Sūta) (deduced: Māheśvarakhaṇḍa context)
Listener: Pārtha
Scene: A visual ‘day wheel’ split into five arcs labeled prātaḥ, saṃgava, madhyāhna, aparāhṇa, sāyāhna; pilgrims perform successive acts—bathing, offering flowers, lamp worship—across the segments.
Dharma is practiced in harmony with sacred time; dividing the day guides timely worship and duties.
No site is mentioned; it is a general dharmic time-structure.
Implicitly supports scheduling of sandhyā, pūjā, and daily duties by time-periods; no single ritual is named.