द्वन्द्वयुद्धप्रवृत्तिः
Dvandva-Yuddha: The Onset of Single Combats
भग्नैखडगैर्गदाभिश्चशक्तितोमरपट्टसै: ।अपविद्धैश्चाभिन्नैश्चरथैस्साङ्ग्रामिकैर्हयैः ।।6.43.42।।निहतैःकुञ्जरैर्मत्स्सैस्तथावानरराक्षसैः ।चक्राक्षयुगदण्डैश्चभग्नैर्धरणिसंश्रितैः ।।6.43.43।।बभूवायोधनंघोरंगोमायुगणसेवितम् ।
bhagnair khaḍagair gadābhiś ca śakti-tomara-paṭṭasaiḥ |
apaviddhaiś cābhinnaiś ca rathaiḥ sāṅgrāmikair hayaiḥ ||6.43.42||
nihatāiḥ kuñjaraiḥ matsyaiḥ tathā vānararākṣasaiḥ |
cakrākṣa-yuga-daṇḍaiś ca bhagnair dharaṇisaṃśritaiḥ ||6.43.43||
babhūva āyodhanaṃ ghoraṃ gomāyugaṇa-sevitam |
Medan laga pun menjadi mengerikan—dipenuhi pedang dan gada yang patah, tombak, lembing, dan kapak; kereta perang yang hancur dan terbalik beserta kuda-kuda perang; tumpukan gajah yang gugur serta vānara dan rākṣasa; juga roda, poros, dan kuk yang remuk berserakan di bumi—hingga kawanan serigala hutan berkeliaran di sana.
Then the Rakshasas killed by Vanara leaders, their bodies full of blood were looking for sunset and again picking up strength began to battle.।। ityārṣēvālmīkīyēśrīmadrāmāyaṇēādikāvyēyuddhakāṇḍētricatvāriṅśassargaḥ ।।This is the end of the forty third sarga of Yuddha Kanda of the first epic the holy Ramayana composed by sage Valmiki.
It highlights the ethical weight of war: even when fought for dharma, battle brings suffering and ruin, urging sobriety, restraint, and remembrance of life’s impermanence.
After intense fighting, the field is described as strewn with weapons, wreckage, and bodies, attracting scavengers.
Not a single virtue of one character, but the text’s reflective emphasis on vigilance and responsibility in the use of force.