Shloka 73
The Destruction of Dakṣa’s Sacrifice
कामरूपैरकांतैश्च सर्वकामसमन्वितैः । अनिवार्यबलैश्चोग्रैर्योगिभिर्योगगामिभिः
kāmarūpairakāṃtaiśca sarvakāmasamanvitaiḥ | anivāryabalaiścograiryogibhiryogagāmibhiḥ
Bersama para yogin yang dapat mengambil rupa sesuka hati, yang tak terikat oleh nafsu, berhimpun segala siddhi; berdaya tak tertahan lagi dahsyat, dan melangkah di jalan Yoga.
Unspecified in the provided excerpt (context needed from surrounding verses)
Concept: Yogic mastery includes freedom from desire and the capacity to assume forms; true attainment is aligned with disciplined yoga rather than craving.
Application: Pursue skill and capability, but train desirelessness: set intentions, practice restraint, and use any ‘power’ (talent, status) for service rather than ego.
Primary Rasa: adbhuta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A circle of formidable yogins stands unmoved amid chaos, their bodies subtly shifting—one becomes vast, another minute—yet their faces remain tranquil, untouched by desire. Around them, the air shimmers with siddhi: faint mandalas, windless fluttering cloth, and a sense of silent, irresistible force.","primary_figures":["yogins with siddhis (kāmarūpa)"],"setting":"A secluded, otherworldly grove at the edge of a cosmic battlefield—still pools, ancient trees, and a faint aura of mantra-geometry in the air.","lighting_mood":"forest dappled","color_palette":["sage green","smoky gold","lapis blue","sandalwood beige","pearl white"],"tanjore_prompt":"Tanjore painting style: Central yogin in serene padmāsana with gold leaf halo; surrounding yogins in varied postures showing subtle form-shifts (miniature-to-giant motifs) rendered iconographically; rich reds/greens, ornate jewelry minimal, emphasis on sacred geometry, gold embellishment on mandalas and borders.","pahari_prompt":"Pahari miniature style: Quiet grove with delicate foliage; yogins with refined faces and minimal ornamentation; translucent overlays suggesting kāmarūpa transformations; cool mountain palette, lyrical naturalism, fine brushwork on cloth folds and aura lines.","kerala_mural_prompt":"Kerala mural style: Stylized yogins with bold outlines and large eyes, seated in symmetrical arrangement; flat fields of green/yellow/red with black contouring; mandala motifs behind heads; temple-wall aesthetic emphasizing spiritual power through compositional balance.","pichwai_prompt":"Pichwai cloth painting style: Central meditative figure framed by lotus and vine borders; surrounding yogins as repeating motifs; deep blue ground with gold mandala patterns, intricate floral fillers, serene devotional atmosphere (Krishna-less but Pichwai ornamental grammar retained)."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","distant temple bell","forest birds","gentle wind","long silences between phrases"]}
Sandhi Resolution Notes: कामरूपैरकांतैश्च = कामरूपैः + अकान्तैः + च; सर्वकामसमन्वितैः = सर्व + काम + समन्वितैः; अनिवार्यबलैश्चोग्रैः = अनिवार्य + बलैः + च + उग्रैः; योगिभिर्योगगामिभिः = योगिभिः + योगगामिभिः
FAQs
It portrays yogins as possessing extraordinary capacities—such as assuming forms at will (kāmarūpa) and having formidable, irresistible power—while ideally remaining free from desire.
Yes. The verse juxtaposes “endowed with every attainment” with “free from desire,” implying that spiritual mastery is not meant to be driven by craving but arises as a byproduct of yogic realization.
Power is framed as secondary to inner restraint: the exemplary yogin is characterized not only by capability, but by desirelessness and disciplined movement on the yogic path.