Shloka 176
Brahmā’s Puṣkara Sacrifice: Ṛtvij System, Sāvitrī’s Reconciliation, Tīrtha-Catalogue, Śrāddha & Initiation Rites, and Vrata Fruits
समाधिना समाधेया सप्राणायामपूर्विका । तस्यां कृतायां यत्पुण्यं तच्छृणुष्व हराद्य मे
samādhinā samādheyā saprāṇāyāmapūrvikā | tasyāṃ kṛtāyāṃ yatpuṇyaṃ tacchṛṇuṣva harādya me
Ini hendaknya diselesaikan dengan samādhi, didahului oleh prāṇāyāma. Setelah itu dilakukan, dengarkan dariku, wahai Hara, pahala suci yang timbul darinya.
Unspecified (a narrator addressing Hara/Śiva)
Concept: Ritual worship is perfected when supported by yogic concentration: prāṇāyāma leading into samādhi; inner steadiness becomes the engine of puṇya.
Application: Before prayer/recitation, take a brief breath-regulation practice and settle attention; let worship be mindful rather than mechanical.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A quiet hermitage at dusk where a practitioner sits in padmāsana, spine like a pillar, breath visible as subtle luminous threads entering and leaving. Above the head blooms a faint lotus-mandala suggesting samādhi, while the outer world—trees, water, and shrine—falls into hushed stillness.","primary_figures":["yogi-devotee","Hara/Śiva as addressed listener (subtle, seated nearby)","optional: a guiding sage"],"setting":"Forest hermitage with a small shrine, kusa mat, and a calm water pool; minimal objects to emphasize inner practice.","lighting_mood":"moonlit stillness with inner radiance","color_palette":["moon-silver","forest green","smoke gray","midnight blue","soft white"],"tanjore_prompt":"Tanjore painting style: central meditating figure with a large gold-leaf lotus halo representing samādhi, delicate prāṇa streams rendered in embossed gold; rich maroon and green borders, stylized hermitage elements, Śiva seated as listener with ornate crown and jewelry.","pahari_prompt":"Pahari miniature style: serene moonlit grove, fine brushwork on leaves, a yogi in meditation with a translucent lotus aura; cool palette, refined facial features, gentle naturalism, quiet pool reflecting moonlight.","kerala_mural_prompt":"Kerala mural style: bold outlines, meditating figure with stylized eyes, circular mandala-lotus behind; strong natural pigment palette, temple-wall aesthetic, Śiva as calm witness with trident motif.","pichwai_prompt":"Pichwai cloth painting style: central lotus-mandala around the meditator, intricate floral borders, deep blue ground with white/silver highlights; peacocks subdued at corners, emphasis on rhythmic symmetry and sacred geometry."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Darbari","pace":"slow-meditative","voice_tone":"serene","sound_elements":["long silences","soft breath","night insects","distant water drip","single low bell"]}
Sandhi Resolution Notes: सप्राणायामपूर्विका = स + प्राणायाम + पूर्विका; यत्पुण्यं = यत् + पुण्यम्; तच्छृणुष्व = तत् + शृणुष्व; हराद्य = हर + आद्य
FAQs
A yogic discipline: prāṇāyāma (breath regulation) as a preparatory step leading into samādhi (meditative absorption).
The verse points to the puṇya (spiritual merit) that accrues from completing the practice, which the speaker is about to explain.
Hara is a name of Śiva; the verse is framed as direct address to him, indicating a dialogue or instruction directed toward Śiva within the narrative context.