Shloka 186
The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī
Gaṅgā
यावतीयं धरा देव सा दत्तानेन ते प्रभो । उक्तो बाष्कलिना विष्णुर्यावन्मात्रा वसुंधरा
yāvatīyaṃ dharā deva sā dattānena te prabho | ukto bāṣkalinā viṣṇuryāvanmātrā vasuṃdharā
Wahai Tuhan, seluas bumi ini, sebanyak itulah yang telah ia persembahkan kepadamu. Demikian Bāṣkali berkata kepada Viṣṇu, menjelaskan seluruh batas dan ukuran bumi.
Narrator/Compiler voice (reporting Bāṣkali’s statement to Viṣṇu)
Concept: Offering the entirety of one’s domain (even ‘the whole earth’) to Viṣṇu signifies complete surrender and recognition of divine ownership.
Application: Practice ‘mental dāna’: dedicate the fruits of work, possessions, and authority to Nārāyaṇa; cultivate stewardship rather than possessiveness.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A cosmic court where Viṣṇu sits serene upon a lotus-throne, while Bāṣkali, hands folded, gestures to a vast mandala-map of the earth unfurled like a sacred cloth. The earth appears as concentric continents and oceans, offered symbolically as a gift, with tiny mountains and rivers shimmering like jewels.","primary_figures":["Viṣṇu (Nārāyaṇa)","Bāṣkali (sage/agent)","attendant devas or ṛṣis"],"setting":"Celestial assembly with a cosmographic bhū-maṇḍala scroll/mandala displayed before Viṣṇu; lotus motifs and conch-discus emblems.","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","emerald green","pearl white"],"tanjore_prompt":"Tanjore painting style: Viṣṇu enthroned with śaṅkha-cakra-gadā-padma, heavy gold leaf halo and arch, Bāṣkali presenting a jeweled bhū-maṇḍala mandala-scroll, rich crimson and emerald textiles, gem-studded ornaments, ornate temple-pillared backdrop, luminous gold embossing on the earth-map and crown details.","pahari_prompt":"Pahari miniature style: delicate Viṣṇu seated on a lotus dais, Bāṣkali in simple saffron robes pointing to a finely painted circular earth-mandala with rivers and mountains, cool blues and greens, lyrical clouds, refined faces, thin ink outlines, subtle shading, a quiet Himalayan-like horizon behind the celestial pavilion.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat natural pigments, Viṣṇu with large expressive eyes and elaborate crown, Bāṣkali in reverent posture, stylized bhū-maṇḍala as concentric rings, red-yellow-green dominant palette, temple-wall aesthetic with floral borders and lamp motifs.","pichwai_prompt":"Pichwai cloth painting style: Viṣṇu as the cosmic Lord framed by lotus borders, a circular bhū-maṇḍala rendered like a giant lotus beneath, intricate floral vines, peacocks at the corners, deep indigo background with gold highlights, devotional symmetry and ornate textile patterning."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bells","low conch drone","gentle tanpura","hushed assembly murmur"]}
Sandhi Resolution Notes: yāvatīyaṃ = yāvatīyam; dattānena = dattā anena; viṣṇuryāvanmātrā = viṣṇuḥ yāvat-mātrā; वसुंधरा = vasuṃdharā (anusvāra/ṃ).
FAQs
It emphasizes the earth’s vastness as a measurable totality and frames a statement to Viṣṇu that “as much as the earth extends, so much has been granted,” highlighting cosmic scale and divine address.
Not directly. It uses the earth (dharā/vasuṁdharā) as a total measure, functioning more as cosmographic language than a description of a particular tīrtha.
The verse models reverent speech to the divine (Viṣṇu) and underscores humility before the immensity of creation—encouraging devotion grounded in awareness of cosmic magnitude.