Shloka 84
The Greatness of Hari’s Janmāṣṭamī (Jayantī) Vow
दिव्यं विमानमारुह्य गतवान्पितृभिः सह । यत्फलं मथुरां गत्वा दृष्ट्वा कृष्णमुखांबुजम्
divyaṃ vimānamāruhya gatavānpitṛbhiḥ saha | yatphalaṃ mathurāṃ gatvā dṛṣṭvā kṛṣṇamukhāṃbujam
Naiklah ia ke vimāna ilahi dan berangkat bersama para Pitṛ (leluhur); ia memperoleh buah rohani yang sama seperti orang yang pergi ke Mathurā dan memandang wajah Śrī Kṛṣṇa laksana teratai.
Unspecified (narrative voice; speaker not explicit in the provided excerpt)
Concept: Darśana of Kṛṣṇa at His sacred seat grants liberation-linked merit that can uplift one’s ancestors.
Application: Offer daily remembrance (smaraṇa) of Kṛṣṇa’s mukha-padma, dedicate merits of worship/charity to ancestors, and when possible undertake Braj-yātrā with a devotional vow.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: city
Visual Art Cues: {"scene_description":"A devotee rises in a radiant vimāna, the Pitṛs seated beside him like luminous elders, their faces softened by release. Below, Mathurā’s ghāṭas on the Yamunā shimmer, and in the sky appears Kṛṣṇa’s lotus-face as a darśana-vision—eyes like blue lotuses, smile gentle, blessing both descendant and ancestors.","primary_figures":["Kṛṣṇa (visionary darśana)","devotee/pilgrim","Pitṛs (ancestors)"],"setting":"Aerial space above Mathurā; Yamunā riverbank with temples and ghāṭas; subtle celestial pathway (arc of light) leading upward.","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","pearl white","yamunā green"],"tanjore_prompt":"Tanjore painting style: Kṛṣṇa’s lotus-face as a central radiant medallion in the sky, framed by ornate prabhāmaṇḍala with gold leaf; below, a gem-studded vimāna carrying a devotee and three Pitṛs in traditional attire, hands in añjali; Mathurā ghāṭas and Yamunā rendered in rich reds/greens, heavy jewelry highlights, embossed gold borders, South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: a lyrical aerial scene with delicate brushwork—slender vimāna drifting above the Yamunā at Mathurā, Pitṛs with soft halos, Kṛṣṇa’s mukha-padma appearing in a cloud-lotus; cool twilight blues and pinks, refined facial features, fine architectural ghāṭa details, gentle atmospheric perspective.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments—Kṛṣṇa’s serene face in a circular aura above, vimāna with stylized Pitṛs and devotee below; temple-ghāṭa motifs simplified, dominant reds/yellows/greens, large expressive eyes, mural-like flat planes with rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: Braj-themed composition with Yamunā and Mathurā ghāṭas, lotus motifs everywhere; Kṛṣṇa’s face emerging from a lotus-cloud, peacocks on borders, intricate floral frames, deep indigo background with gold detailing; vimāna and Pitṛs depicted as part of a devotional tapestry narrative."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","distant conch shell","flowing river water","gentle drone (tanpura)","hushed silence between pādas"]}
Sandhi Resolution Notes: vimānamāruhya → vimānam + āruhya; gatavānpitṛbhiḥ → gatavān + pitṛbhiḥ; yatphalam → yat + phalam; kṛṣṇamukhāṃbujam → kṛṣṇa-mukha-ambujam (mukha+ambuja → mukhāmbuja by sandhi).
FAQs
It equates the merit of the event described—departing with the Pitṛs in a divine vimāna—to the great fruit gained by going to Mathurā and receiving darśana of Kṛṣṇa’s lotus-like face.
Mathurā is presented as a premier Kṛṣṇa-tīrtha where darśana (beholding the Lord) is itself salvific and highly meritorious, making it a focal sacred geography in Vaiṣṇava Purāṇic literature.
It underscores bhakti-centered values: sincere seeking of Kṛṣṇa’s darśana and pilgrimage to His sacred places are portrayed as powerful means of spiritual uplift—benefiting even one’s ancestral line (Pitṛs).