Shloka 15
Yayāti’s Vaiṣṇava Rule and the Earth Made Like Vaikuṇṭha
with Viṣṇu Name-Invocation
पुत्राणां तु सुखं पुण्यमधिकं पौत्रजं नराः । प्रभुंजंति सुखेनापि मानवा भुवि सत्तम
putrāṇāṃ tu sukhaṃ puṇyamadhikaṃ pautrajaṃ narāḥ | prabhuṃjaṃti sukhenāpi mānavā bhuvi sattama
Kebahagiaan dari putra adalah suci, namun sukacita yang lahir dari cucu dianggap lebih besar pahalanya; wahai insan utama, manusia di bumi menikmati kebahagiaan itu dengan mudah.
Unspecified in the provided excerpt (context needed to identify the dialogue frame, e.g., Pulastya–Bhīṣma).
Concept: Household happiness is framed as puṇya-bearing; the joy of grandchildren signifies stability, continuity, and the ripening of dharma across generations.
Application: Honor elders and descendants, invest in dharmic education and values for children, and treat family continuity as a responsibility (seva) rather than mere pride.
Primary Rasa: shanta
Secondary Rasa: shringara
Type: city
Visual Art Cues: {"scene_description":"A serene household courtyard: a grandfather blesses a child seated on his lap while parents stand nearby with folded hands. In the background, a small Viṣṇu shrine and a tulsi-like courtyard garden suggest dharmic domesticity, with shared food and gentle music indicating easeful prosperity.","primary_figures":["Grandfather (elder householder)","Grandchild","Parents","Family priest (optional)","Viṣṇu shrine icon (background)"],"setting":"Clean, auspicious home courtyard with rangoli patterns, a small shrine niche, brass lamps, and a shaded veranda; symbols of continuity—sacred thread, scriptures, and offerings.","lighting_mood":"temple lamp-lit","color_palette":["warm amber","ivory white","vermillion red","peacock blue","leaf green"],"tanjore_prompt":"Tanjore painting style: domestic blessing scene with an elder holding a grandchild, family gathered near a small Viṣṇu shrine; gold leaf on jewelry, lamps, and shrine arch; rich reds/greens, ornate textiles, embossed halos for auspiciousness.","pahari_prompt":"Pahari miniature style: intimate courtyard family portrait with delicate facial expressions, soft shadows, refined textiles; a small shrine and garden elements; gentle, lyrical mood with cool highlights and fine detailing on ornaments.","kerala_mural_prompt":"Kerala mural style: stylized family figures with expressive eyes; bold outlines; shrine and lamp motifs; warm red/yellow/green palette; decorative borders with conch and lotus patterns to signal Vaiṣṇava auspiciousness.","pichwai_prompt":"Pichwai cloth painting style: central family blessing vignette framed by lotus vines and floral borders; deep blue ground with gold accents; peacocks and cows as auspicious motifs; a small central shrine medallion indicating Viṣṇu’s protection over lineage."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft household bells","low mridang pulse","evening insects","gentle chanting in background","crackling oil lamp"]}
Sandhi Resolution Notes: पुण्यमधिकम् = पुण्यम् + अधिकम्; सुखेनापि = सुखेन + अपि.
FAQs
It states that happiness derived from grandsons is viewed as even greater and more merit-bearing than happiness derived from sons.
In Purāṇic ethics, family continuity and the fulfillment of household duties are treated as dharmic goods; thus the resulting joy is framed as connected with religious merit (puṇya).
The verse addresses an unnamed listener as “O best of men”; identifying the specific person requires the surrounding chapter context.