Shloka 25
The Bestowal of Boons upon Aṅga
आर्द्रेषु चैव शुष्केषु सर्वेष्वन्येषु स द्विजः । एवं वर्षशतं जातं तप्यमानस्य तस्य च
ārdreṣu caiva śuṣkeṣu sarveṣvanyeṣu sa dvijaḥ | evaṃ varṣaśataṃ jātaṃ tapyamānasya tasya ca
Di tempat yang basah maupun yang kering, dan dalam segala keadaan lainnya, sang dvija itu tetap sama; demikianlah seratus tahun berlalu sementara ia terus menempuh tapa-brata.
Unspecified narrator (contextual narration within Bhūmi-khaṇḍa)
Concept: Steadfastness (samatā) in all circumstances is the hallmark of true tapas; time itself becomes the measure of inner firmness.
Application: Practice consistency in sādhanā regardless of comfort/discomfort; keep a fixed daily vow (japa, nāma, or simple fasting discipline) without bargaining with circumstances.
Primary Rasa: shanta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A lone brāhmaṇa-sage sits unmoving through alternating landscapes: a rain-soaked marsh with reeds and dripping lotuses, and a cracked, sun-baked plain. The same calm gaze and straight spine persist as seasons whirl around him, marking a century with subtle shifts of sky and vegetation.","primary_figures":["brāhmaṇa-tapasvī (twice-born sage)"],"setting":"Split-scene diptych: wetland on one side, arid scrubland on the other; minimal hut or none, emphasizing renunciation.","lighting_mood":"forest dappled shifting into harsh noon glare, yet the sage remains in serene, even light","color_palette":["monsoon indigo","moss green","sun-bleached ochre","ash gray","lotus pink"],"tanjore_prompt":"Tanjore painting style: a central seated tapasvī with gold-leaf halo of austerity, flanked by two panels—rainy wetland and dry desert—rich reds/greens, ornate border motifs of lotus and conch, subtle gold embossing to show the passage of years and unwavering posture.","pahari_prompt":"Pahari miniature style: delicate sage in meditation, lyrical split landscape of misty wet grove and pale dry hillside, fine linework for grasses and raindrops, cool-to-warm gradient sky, refined facial features conveying equanimity.","kerala_mural_prompt":"Kerala mural style: bold black outlines, the sage seated in padmāsana, stylized wet and dry terrains as symbolic bands, earthy pigments with strong reds/yellows/greens, large calm eyes, minimal but iconic flora (lotus and thorny shrub).","pichwai_prompt":"Pichwai cloth painting style: devotional border of lotuses and vines framing a meditating sage; seasonal motifs (rain clouds, sun disc) arranged symmetrically; deep blue and gold accents; subtle Vaishnava symbols (śaṅkha-cakra) in corners to hint tapas aimed at Hari."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft wind","distant rain","occasional temple bell","long silences between pādas"]}
Sandhi Resolution Notes: चैव = च + एव; सर्वेष्वन्येषु = सर्वेषु + अन्येषु (u+ a sandhi); वर्षशतं = वर्ष + शतम् (द्विगु); तप्यमानस्य (कृदन्त-षष्ठी); तस्य च (समुच्चय)
FAQs
It highlights unwavering ascetic discipline: the dvija continues tapas steadily through all conditions—wet, dry, and otherwise—for a full hundred years.
It is a poetic way to indicate extremes and variety of environments, emphasizing endurance and equanimity rather than comfort-dependent practice.
Consistency in spiritual effort—remaining steadfast despite changing external circumstances—is presented as a hallmark of genuine tapas and dharmic resolve.