Shloka 11
The Devas Arm Nahuṣa: Divine Weapons, Mātali’s Chariot, and the March Against Huṇḍa
इत्युवाच सहस्राक्षस्त्वामेव नृपतीश्वर । जहि त्वं दानवं संख्ये तं हुंडं पापचेतनम्
ityuvāca sahasrākṣastvāmeva nṛpatīśvara | jahi tvaṃ dānavaṃ saṃkhye taṃ huṃḍaṃ pāpacetanam
Sahasrākṣa (Indra) berkata: "Wahai raja diraja, engkaulah yang harus membunuh Danawa Huṇḍa yang berpikiran jahat itu dalam pertempuran."
Sahasrākṣa (Indra)
Concept: Adharma embodied in a ‘pāpa-cetana’ must be checked; righteous force is sanctioned when it protects cosmic order.
Application: Confront harmful patterns decisively when they threaten the well-being of others; avoid moral relativism about clear wrongdoing.
Primary Rasa: vira
Secondary Rasa: raudra
Visual Art Cues: {"scene_description":"Indra, thousand-eyed and thunderbolt-bearing, leans forward with commanding intensity, pointing toward the battlefield where the shadowy Dānava Huṇḍa looms. The king addressed stands firm, receiving the charge as if it were a sacred injunction, while storm clouds gather like a cosmic drumroll.","primary_figures":["Indra (Sahasrākṣa)","the addressed king (nṛpatīśvara)","Dānava Huṇḍa"],"setting":"Edge of a celestial terrace overlooking an earthly battlefield; lightning-veined clouds, banners, and distant chariot lines.","lighting_mood":"storm-lit divine radiance","color_palette":["electric indigo","thundercloud charcoal","golden ochre","blood-red vermillion","silver"],"tanjore_prompt":"Tanjore painting style: Indra with vajra and gold halo issuing the command ‘jahi’, the king in ornate armor receiving it; Huṇḍa depicted as a dark, jewel-eyed dānava in the background; heavy gold leaf, embossed ornaments, saturated reds/greens, temple-arch framing.","pahari_prompt":"Pahari miniature style: dramatic yet refined scene with Indra’s gesture and the king’s attentive stance; Huṇḍa as a stylized demon silhouette amid mist; cool blues and grays with sharp vermillion accents, delicate facial expressions, layered cloud bands.","kerala_mural_prompt":"Kerala mural style: Indra frontal with exaggerated eyes and crown, vajra prominent; the king in profile; Huṇḍa rendered with bold patterns and fierce gaze; warm reds/yellows/greens, thick outlines, narrative panel symmetry.","pichwai_prompt":"Pichwai cloth painting style: Indra centered with lotus-cloud motifs and ornate border; the king below receiving the command; Huṇḍa placed at the periphery as a dark adversary; deep blue ground, gold filigree, floral medallions and peacock-feather accents."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunder","war drums","conch shell","metallic clang of armor"]}
Sandhi Resolution Notes: इत्युवाच = इति + उवाच; सहस्राक्षस्त्वामेव = सहस्राक्षः + त्वाम् + एव (विसर्ग-लोप/सन्धि); पापचेतनम् (पाप-चेतन) कर्मधारय-समास; नृपतीश्वर (नृपति-ईश्वर) तत्पुरुष-समास।
FAQs
Sahasrākṣa (“thousand-eyed”) is an epithet of Indra, the king of the Devas, who is shown here urging decisive action against a demon.
Indra tells the addressed ruler (nṛpatīśvara) to slay the Dānava named Huṇḍa in battle, describing him as pāpa-cetana—sin-minded.
It frames kingship as a dharmic responsibility: protecting order may require confronting and eliminating violent, unrighteous forces that threaten society.