Padma Purana — Bhumi Khanda, Shloka 11
The Lament of King Āyū and Indumatī: The Abduction/Loss of the Child and Karmic Reflection
किं वा वितर्कितो विप्रः कर्मणस्तस्य वै फलम् । प्राप्तं मया न संदेहः पुत्रशोकान्वितं भृशम्
kiṃ vā vitarkito vipraḥ karmaṇastasya vai phalam | prāptaṃ mayā na saṃdehaḥ putraśokānvitaṃ bhṛśam
Apa guna berspekulasi lagi, wahai brāhmaṇa? Buah perbuatan itu sungguh telah menimpaku—tiada keraguan—dengan duka atas putraku yang amat menghimpit.
Unspecified (context-dependent speaker addressing a brāhmaṇa)
Concept: Karmaphala is inescapable; speculation is futile when consequences have ripened.
Application: When facing loss, shift from blame/speculation to ethical review, repentance, and constructive dharmic action (dāna, seva, prayer).
Primary Rasa: karuna
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A grief-stricken householder sits on the threshold of his home, head bowed, hands trembling as he confesses that the fruit of past deeds has arrived. Behind him, a dim inner chamber suggests the absence of the son—an empty cradle and a silent lamp—while a brāhmaṇa listener stands compassionately, holding a staff and water-pot.","primary_figures":["lamenting householder/narrator","brāhmaṇa counselor"],"setting":"threshold of a traditional courtyard home, with a small domestic shrine visible in the background","lighting_mood":"temple lamp-lit","color_palette":["smoky indigo","ash gray","lamp-gold","deep maroon","sandalwood beige"],"tanjore_prompt":"Tanjore painting style: a sorrowful householder at the doorway confessing karmaphala to a serene brāhmaṇa, gold leaf highlighting the shrine lamp and halo-like aura around the brāhmaṇa, rich maroons and greens, ornate jewelry minimal, carved wooden pillars, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: intimate courtyard scene with delicate linework, the grieving man seated low with downcast eyes, the brāhmaṇa standing gently, cool dusk palette, fine textile patterns, a small shrine lamp glowing, lyrical emptiness conveyed by an unoccupied cradle and quiet architecture.","kerala_mural_prompt":"Kerala mural style: bold outlines and expressive eyes, the brāhmaṇa rendered with calm authority, the householder slumped in grief, warm red/yellow/green pigments, stylized shrine elements, rhythmic composition emphasizing moral gravity.","pichwai_prompt":"Pichwai cloth painting style: devotional domestic threshold with ornate floral borders and lotus motifs, a small Viṣṇu shrine in the background, deep blues and gold accents, peacocks subdued at the edges, the central mood contemplative rather than festive."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"emotional","sound_elements":["soft temple bells","low drone (tanpura)","distant sobbing breaths","night insects","silence between phrases"]}
Sandhi Resolution Notes: कर्मणस्तस्य = कर्मणः तस्य; पुत्रशोकान्वितम् = पुत्र-शोक-अन्वितम् (समास)
FAQs
It underscores karma-phala: the speaker accepts present suffering as the definite result of a prior action, without further speculative doubt.
It presents a concrete, intense form of human suffering to illustrate how karmic consequences can manifest as profound personal loss.
It encourages moral responsibility and acceptance of consequences, implying that one should reflect on actions and their results rather than engage only in abstract argument.