Padma Purana — Bhumi Khanda, Shloka 24
The Glory of Kailāsa, the Gaṅgā Lake, and Ratneśvara
Entry into the Kuñjala–Kapiñjala Narrative
अन्यैर्नानाविधैः पुण्यैः कौतुकैर्मंगलैः शुभैः । गंगोदकप्रवाहैश्च महाशब्दं प्रसुस्रुवे
anyairnānāvidhaiḥ puṇyaiḥ kautukairmaṃgalaiḥ śubhaiḥ | gaṃgodakapravāhaiśca mahāśabdaṃ prasusruve
Dengan berbagai macam upacara kebajikan, perayaan suci, dan tata cara yang membawa mangala serta keberkahan, juga dengan aliran air suci Gaṅgā, terdengarlah gemuruh besar yang menggema.
Unspecified narrator (within the Pulastya–Bhīṣma dialogue context typical of Bhūmi-khaṇḍa)
Concept: Auspicious rites gain potency when aligned with tīrtha and sacred water; communal maṅgala amplifies śraddhā.
Application: Bring sanctity into daily life by pairing actions with remembrance—begin tasks with a small maṅgala (prayer, clean water offering, mantra), turning routine into rite.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: river
Visual Art Cues: {"scene_description":"A wide river-course of Gaṅgā-water surges through a mountain valley while pilgrims perform diverse auspicious rites—waving lamps, offering flowers, tying protective threads, and chanting. The air is thick with sacred clamor: conches, bells, and the river’s own thunder, as banners and garlands flutter along the banks.","primary_figures":["pilgrims performing maṅgala-karmas","priests","ascetics","Gaṅgā personified (optional, subtle)"],"setting":"Riverbank ghāṭa carved into rock; temporary festival pavilions; prayer flags and garlands; stone steps descending into swift water","lighting_mood":"golden dawn","color_palette":["river jade","marigold orange","vermillion red","ivory white","metallic gold"],"tanjore_prompt":"Tanjore painting style: crowded ghāṭa scene with Gaṅgā flowing in stylized bands; gold leaf on ritual lamps, conches, and banners; richly dressed devotees and priests with gem-like ornamentation; a small framed deity panel (Viṣṇu/Śrī) on the bank to anchor Vaishnava sanctity.","pahari_prompt":"Pahari miniature style: delicate festival on a Himalayan riverbank—tiny figures in bright garments, fluttering pennants, incense smoke curling; the river painted with fine white highlights; distant blue ridges and soft morning light.","kerala_mural_prompt":"Kerala mural style: rhythmic procession of devotees with lamps and conches; bold outlines; patterned river waves; warm reds/yellows/greens; stylized faces and large eyes; temple-lamp-lit accents even in open air.","pichwai_prompt":"Pichwai cloth painting style: ornate border of lotuses and vines; central band of flowing Gaṅgā; rows of devotees in symmetrical arrangement performing ārati; peacocks and floral motifs; deep blue background with gold detailing to suggest sacred resonance."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["conch shell","temple bells","crowd murmur","flowing water","hand drums"]}
Sandhi Resolution Notes: अन्यैर्नानाविधैः = अन्यैः नानाविधैः; कौतुकैर्मंगलैः = कौतुकैः मङ्गलैः; गंगोदकप्रवाहैश्च = गङ्गोदकप्रवाहैः च; महाशब्दं = महाशब्दम्; (पादान्ते) प्रसुस्रुवे इति क्रियापदम्।
FAQs
In Purāṇic ritual culture, Gaṅgā-water functions as a purifier and sanctifier; its presence intensifies the puṇya (merit) and maṅgala (auspiciousness) of ceremonies, especially in tīrtha-centered contexts.
It depicts a public, celebratory religious scene—multiple auspicious observances happening together—producing a “great sound” (mahāśabda), i.e., a loud collective commotion of ritual activity.
The verse implicitly commends communal participation in śubha and maṅgala acts—meritorious, uplifting practices—framed by purification (Gaṅgā-water) and shared sacred celebration.