Shloka 6
Yama-vilāpana
The Lamentation Concerning Yama
अप्रमेयो जनो नीतो वैष्णवं हरिवल्लभम् । आरोपयित्वा गरुडे कृत्वा रूपं चतुर्भुजम् ॥ ६ ॥
aprameyo jano nīto vaiṣṇavaṃ harivallabham | āropayitvā garuḍe kṛtvā rūpaṃ caturbhujam || 6 ||
Sang Pribadi Yang Tak Terukur menuntun orang itu ke alam Waisnawa yang dikasihi Hari; mendudukkannya di atas Garuda, Ia menganugerahkan wujud berlengan empat.
Narada (in dialogue tradition with Sanatkumara lineage; narrator voice within Uttara-Bhaga)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It depicts the culmination of divine grace: the devotee is escorted to the Vaishnava abode and is transformed into a form fit for proximity to Hari—signifying liberation with divine likeness (sārūpya) and divine conveyance (Garuḍa).
Bhakti is shown as personally answered by Hari: the Lord Himself leads the devotee, grants entry into the Vaishnava sphere, and bestows a four-armed form—implying that devotion results not merely in merit but in intimate divine acceptance.
No specific Vedanga (Śikṣā, Vyākaraṇa, Chandas, Nirukta, Jyotiṣa, Kalpa) is taught in this verse; the focus is theological—Vaishnava moksha imagery (Garuḍa, caturbhuja form) used in Purāṇic instruction.