Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
द्वितीयोपांत्यमध्यस्थैर्मंत्रार्णैरितरैरपि । ताराद्यैः श्रृणु तद्ध्यानं सर्वसिद्धिविधायकम् ॥ १३५ ॥
dvitīyopāṃtyamadhyasthairmaṃtrārṇairitarairapi | tārādyaiḥ śrṛṇu taddhyānaṃ sarvasiddhividhāyakam || 135 ||
Dengan suku kata mantra yang berada pada posisi kedua, menjelang akhir, dan di tengah—serta suku kata lain yang bermula dari Tārā—dengarkanlah meditasi itu, yang menganugerahkan segala siddhi.
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames mantra-meditation as a precise, letter-based discipline: contemplating specific syllabic positions (second, middle, penultimate) is presented as a complete method capable of yielding comprehensive spiritual attainments.
Although technical, it supports bhakti by giving a structured way to hold the divine mantra in awareness; steady dhyāna on sacred syllables becomes an aid to one-pointed remembrance and worship.
It highlights a mantra-śāstra approach rooted in phonetics and letter-analysis—close to Śikṣā (sound/phonetics) and Vyākaraṇa-style attention to akṣaras—applied directly to ritual meditation (dhyāna).