The Description of the Four Durgā Mantras
फलैर्हुत्वामुयाल्लक्ष्मीमुदुंबरपलाशजैः । गोमायुमांसैस्तामेव कवितां पायसांधसा ॥ २५ ॥
phalairhutvāmuyāllakṣmīmuduṃbarapalāśajaiḥ | gomāyumāṃsaistāmeva kavitāṃ pāyasāṃdhasā || 25 ||
Dengan mempersembahkan oblation buah-buahan—terutama dari pohon udumbara dan palāśa—seseorang memperoleh anugerah Lakṣmī (kemakmuran). Dengan mempersembahkan daging gomāyu (jakal), ia meraih ilham puisi; dan dengan oblation pāyasa (nasi dimasak dalam susu) pun karunia puisi yang sama diperoleh.
Sanatkumara (in instruction to Narada on technical/ritual results)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
The verse presents a technical phala-śruti: specific homa offerings are correlated with specific attainments—prosperity (Lakṣmī) and poetic inspiration (kavitā)—showing the Purana’s emphasis on disciplined ritual causality within dharma.
While primarily ritual-technical, it supports bhakti indirectly by treating prosperity and refined speech (poetic power) as gifts that can be ritually dedicated to the divine—resources that can later be used in praise, kīrtana, and sacred composition.
It highlights applied ritual procedure (homa/oblations) and phala-śāstra style mapping of dravya (offering substances) to results—typical of technical instruction associated with Kalpa (ritual discipline) and allied prayoga traditions.